Cette publication présente les résultats des recherches menées dans
le cadre d'une série de débats réunissant écrivains, curateurs et artistes
sur le thème des pratiques
curatoriales et de l'histoire des expositions en Chine
et en Asie du Sud-Est.
The book From a History of Exhibitions Towards a Future of
Exhibition-Making: China and Southeast Asia is the result of
various ongoing assembly platforms linked together under the same name,
all organized and initiated by Biljana Ciric and hosted by St Paul St
Gallery AUT (2013), Rockbund Art Museum (2018), and Guangdong Times Museum
(2019). The texts presented in this book are the result of research
undertaken by different writers, curators, and art practitioners in
Southeast Asia, revisiting the importance of exhibitions as a form and
medium presented at assemblies.
The book's contributions explore how exhibitions can be read and
understood across different social and cultural contexts, highlighting
differences within the region, whilst also inviting new approaches and
methodologies to pinpoint areas for comparative forms of research. The
book draws further awareness towards the specificity and diversity of
practices found within Asia—thereby looking to contribute decisively
towards a (re)mapping of exhibition practices and histories using the
different perspectives and local contexts found in this region.
Publié suite aux conférences éponymes tenues à la St Paul St Gallery -
Auckland Art Gallery, du 7 au 9 août 2013 ; au Rockbund Art
Museum, du 24 au 25 novembre 2018 ; et Guangdong Times Museum
du 14 au 15 décembre 2019.
Edité par Biljana Ciric.
Contributions de Zdenka Badovinac, Zoe Butt, Nikita Yingqian Cai, Biljana
Ciric, Liu Di, Patrick D. Flores, Erin Glesson, Julia Hartmann, Nathalie
Johnson, Carlos Quijon Jr., Jo Lene Ong, Grace Samboh, Alice Sarmiento,
Nhung Walsh, Yu Wei, Seng Yujin, Zhong Yuling, Maggie J. Zheng, Wang
Ziyun.
Publié avec Guangdong Times Museum ; Rockbund Art Museum ; St Paul St
Gallery – Auckland Art Gallery.
