Un récit de la sculpture indienne du début de l'ère moderne connue sous le nom de couple Mithuna.
Meena Kandasamy writes about the Mithuna couple, a seventeenth-century ivory sculpture from Tamil Nadu, India, depicting lovers. Kandasamy unfurls a multi-layered, multi-directional narrative built from images, questions and contradictions evoked by the sculpture. "How can we look at this work and not talk about who produced it?" Kandasamy asks and then examines how caste and class are carved into the object as indelibly as its physical details. Such knowledge complicates easy associations of love that may be evoked by the couple.
Refusing any impulse to idealize or exoticize, Kandasamy connects the carving to personal and political stories that expose painful realities of who gets to love whom, and how. She sets the intimate alongside the institutional to interrogate terms such as decolonize, restitution and preservation. Through an astonishing stylistic mix, including Twitter, academic discourse, poetry and memoir, she talks back, forward and sideways with the object.
Ilavenil Meena Kandasamy (né en 1984) est une poètesse et écrivaine indienne, et une militante féministe est connue pour son engagement en faveur de la suppression des castes.
