In the spring of 1949, while they were shooting “Stromboli” on the island of the same name, Ingrid Bergman and Roberto Rossellini began a love affair which was to cause a scandal. The great photographer Federico Patellani documented the development of the film as well as life on the island.

In this book, the animation of commodity objects magically ties together erotic frolics and political horrors: from a DC07 vacuum cleaner to a detention center for refugees, from little irons, socks and sweaters, to the particulars of post-Soviet power, and Vladimir Putin.

Vinyl EP from Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

Original archives from Konstantin Raudive and Gerhard Stempnik and some additional remixes.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

One year in the art world: Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors, and museum directors.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

This artist's book / leporello gathers reproductions of artworks from the permanent collection of the Museum Ludwig, drawing out re­s­o­nances be­tween the dis­parate works.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

A reflection on an escape from the public sphere starting from a visit of Derek Jarman's house.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

First monograph.

First French translation of Shulamith Firestone's first novel.

An anthology of Pettibon's drawings.

Issues 19 to 21 of the critical review dedicated to graphic design.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

An essay on dancing corporality as a complex system of interacting elements.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

A collection of poems first published in 1972 by the French companion of the Beat Generation.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

A return on Mark Geffriaud's film installation (artist's book).

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

The pleonectic comes from a neologism that means: have-more. The challenge of this major book by Mehdi Belhaj Kacem is to identify the ontological principle from which to question the afflictions in which our world is struggling.