The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of blowing: an issue about breath, wind, lungs, pneumatics, instruments, birds, balloons, crystal, bouncy castles, and all kinds of other things that come to life with air.

A portrait gallery of creators on the margins of folk art and art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory since the late 1970s.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

A card game designed by Matthieu Raffard and Mathilde Roussel to play, think, and create together, designed to help artists and researchers break through barriers in their research and creative work!

The first volume in a series dedicated to the photographic work of Peter Christopherson, co-founder of the highly influential band Coil, documents his work in the working-class neighborhoods of Glasgow in the 1970s.

A wide-ranging investigation into the architectural legacy of the rural utopian communities that settled in California in the 1970s.

A retrospective of 10 years of graphic and typographic research by Coline Sunier & Charles Mazé during their residency at the Brétigny Art Center, presented as an alphabet book comprising 901 collected letters and symbols.

This first book by Valentin Fleuret presents his 2025's iconographic research among books destined for pulping at the Rennes 2 University Library. Comprising 30 iconographic plates containing more than 200 images, this book follows in the tradition of appropriation while renewing it through the subject it addresses.

As part of the 7L's Correspondances program, Katrien de Blauwer explored the collection of books and magazines of Karl Lagerfeld's library at 7L, and reinterpreted it through a new series of photomontages in which the images serve as both a reference and a mirror.

Erik Verhagen brings together seven artists from both sides of the Atlantic, who offer their perspectives on François Morellet's work, bearing witness to the enduring vitality of his legacy.

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer's work, which bridges documentary and artistic practices.

The seventh volume in the collection published by the Antoine de the Galbert Foundation, dedicated to the French artist Benoit Huot.

Jacques Ponzio recounts in text and images Thelonious Monk's 10-day stay in Paris in the spring of 1954.

This first monograph devoted to the Italian designer Valentina Cameranesi Sgroi, structured along the lines of an auction catalogue, the volume, edited by Felix Burrichter, explores the inexhaustible ambiguity that defines the artist's creative universe.

This recording (2002) captures the two instruments central to Conrad's practice at the time: his self-built Long String Instrument and his amplified violin. He performed hidden behind a large sheet, and the nature of what unfolded behind it was never disclosed to the audience.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.

Magnum Chronicles: GenZ is the new edition of Magnum Photos' annual independent publication, dedicated to collective documentary photojournalism. Building on the legacy of the Generation X project launched by Robert Capa in 1951, it brings together photographers from the cooperative around the globe to create a vivid and nuanced portrait of Generation Z—those aged 14 to 29 born between 1997 and 2012.

Andrea De Fusco captures, through Polaroid photographs, the boat crossings from Naples to the Aeolian Islands, as the seasons and years go by.

A project by Francesco Bertocco dedicated to the cultural legacy of Franco Basaglia, a key figure in the transformation of modern psychiatry and a champion of a radical critique of total institutions.

Research-based art has become one of the defining genres of the century. Taking the collective Forensic Architecture as a case study, Emily Watlington, senior editor at Art in America, argues against what she sees as the dangerous slippage between artistic research and alternative facts.

A large survey of the practice of artist Oscar Murillo with a concentration on bodies of work produced from 2019-2026.

This posthumous work is the first monograph devoted to the Franco-Palestinian artist and activist Amal Abdenour (1931–2020).

Diego Marcon by Matthew McLean, The Choreography of Police Work by Sophie Landres, The New Art Theater by Aria Dean, Prediction Addiction by Simon Denny, Simone Forti by Yvonne Rainer, Terry Iacuzzo and Tony Oursler by Katherine Rochester...

A series of portraits of Marilyn in the intimacy of an unmade bed, taken by the American photographer in 1961 (leporello).

Poetry and Revolution brings together three previously untranslated essays by the Czechoslovak avant-garde theorist Karel Teige (1900-1951), accompanied by a polemical introduction by Peter Zusi placing Teige's thinking in the context of debates on "Western" and "Eastern" Marxism.

What is the relationship between mathematics and philosophy? How does the project of "mathematical ontology" redefine the link between multiplicities and being? M=O? brings together leading scholars exploring and questioning Alain Badiou's thesis that "mathematics is ontology" and its evolution.

The second volume of the sdvig series, dedicated to translingual avant-garde writing, brings together the writings of the Ukrainian modernist poet Maik Yohansen from the 1920s and 1930s, translated into English.

The dangerous liaisons between art and oil: the question of artworks and the postcolonial power dynamics shaped by the oil industry, in the era of global warming and of our civilization burning.

The ToiletEllen PapervonUnwerth wall calendar 2027 features photographs conceived by Ellen von Unwerth, Maurizio Cattelan and Pierpaolo Ferrari.

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

This catalogue examines how the act of "making" can restore a different sense of time and physical perception within an increasingly accelerated society, through the work of ten Japanese artists with material-driven, craft-based approaches.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene (new edition).

This array of source material from Peter Wächtler's 2024 show at Simian, Copenhagen, traces a free-spirited voyage towards the outer edges of professional exhibition-making and beyond.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

A critical and multispecies exploration of how plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains. 

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

This publication presents the full orchestral score of Naked Blue, composed by Devonté Hynes, alongside stills from the eponymous short film by Mati Diop and Manon Lutanie.

Published in conjunction with the 11th Contour Biennial, this book edited by curator Sofia Lemos weaves together curatorial reflection, philosophical invocation, and playful fable, moving between essay, image, and story.

The first major poetry collection by Jesse Feinman, a graphic designer known for his work on numerous books and album covers, founder of the photography publishing house Pomegranate Press, and a remarkable poet.

The donation by Elisabeth and Alain Clément of a group of paintings, sculptures, and gouaches on paper enriched, in 2024, a body of work already held in the collection of the Carré d'Art – Musée d'art contemporain de Nîmes, creating a journey through the artist's work.

The artist duo Sarah Laaroussi and Matteo Magnant (Atelier Bicéphale) are writing a new chapter in the performative and participatory project Habiter la pente, and explores the relationships we maintain with our environment and its evolution.

Through his sculptures in black-stained wood, set with fragments of stone and bitumen, Theo Guicheron Lopez traces, across the remains of ancient stone, a sensory landscape for a poetics of the ground.

A.I.L.O (Atelier d'Immersion Lumineuse et Obscure), founded by Anna-Eva Berge with Fabrice Leroux, has created a work of light and sound for Pile Pont Expo, inviting visitors to move through and engage with the work, the architecture, and its soundscape. Optical effects offer a new experience of this space, reminiscent of a concrete cathedral.

Artist's book.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

The new edition of the cult bestiary by Amsterdam-based artist and graphic designer Rop van Mierlo.

A series of previously unpublished interior paintings by Karen Kilimnik.

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Reference monograph.

An exploration of the relationship between art and science through a cross-disciplinary journey featuring some 100 works of art and scientific artifacts by approximately 30 artists, from the Renaissance to the present day.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Annotation and contextualisation of works by founding members of the Finnish leftist anti-fascist writers' group "Kiila", that has been active since 1936.

First monograph.

Yalda Afsah, Tolia Astakhishvili, Alvaro Barrington, Dora Budor, Mimmo Haraditiohadi, Lap-See Lam, Vladislav Markov, Armineh Negahdari, Lydia Ourahmane, Ewa Poniatowska, Thomas Ruff, Martín Sabyno, Maria Toumazou, Bruno Zhu...

Jean-Pierre Laffont’s deeply personal photobook on a formative period of American history, when counterculture ignited a series of cultural revolutions that continue to shape our lives today.

The reprint (new edition) of Robert Capa's famed monograph on the Spanish Civil War, originally published in 1938.

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.

A further in-depth insight into the paradoxical universe of Beni Bischof.

A compendium of landmark interviews and seminal essays that illuminates the spirited transcontinental exchange between acclaimed postwar American artist of gestural abstraction Sam Francis and renowned French philosopher and art critic Yves Michaud.

Neither esoteric nor strictly divinatory, the Tarot des formes created by Les formes associées does not predict anything. It explores the ways in which we build. What rises, cracks, and transforms. An ongoing practice, where chance finds its way in between intuition and method.

The first catalogue raisonné of a Lettrist artist: a comprehensive collection of the 464 works (paintings, objects, multiples, works on paper) produced by Maggy Mauritz (born in 1941)—a pioneering artist in graffiti art and Lettrism—over more than six decades, featuring approximately 600 color illustrations.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media.

A study of the affects and effects of Russian narratives and their global dissemination.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

An exploration of the role of fashion and clothing in the creation of idealized images of the Other in colonial and postcolonial contexts.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

A monumental anthology of critical essays devoted to the figure of Umberto Riva, introduced and edited by Maria Bottero, accompanied by a collection of sketches and drawings from the architect’s personal archives (new revised edition).

This new monograph offers a fresh and international perspective on the relationship between Journiac's work and the sacred.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

An artist's book based on Laila Hida's long-term project exploring fantasized representations of palm trees, the desert, and oases in Western popular culture.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

Shot in the privacy of their bedrooms, Londoners—couples, friends, siblings, and roommates—reveal their personalities and their bonds. Sensual, raw, and magnetic, this series is an ode to the English capital and its inhabitants.

An immersive photographic journey into the heart of the Al Dhafra Festival in the Abu Dhabi region, a vast desert gathering renowned for its camel beauty contest.

A series of rediscovered portraits of Ghislain Mollet-Viéville, taken in the 1980s and 1990s in his iconic Parisian apartment-gallery.

A series of interviews with 20 international artists, primarily electronic musicians and producers (from Laraaji to Plastikman, including Moby, Tricky, Morton Subotnick, Max Richter, Pole, and William Basinski), about the album that changed the course of their career.

A true odyssey of design, featuring pieces from a dozen French heritage institutions, and a narrative structured as a play of mirrors between forms, words, and gestures.

An issue of the Clubbing fanzine dedicated to the Times Bar, a venue in Berlin run by the two American artists Calla Henkel and Max Pitegoff, dedicated to the German capital's large community of expatriate artists.

A portrait of a unique artist family.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

An intimate journey through the Lettrist movement via the collection and library of Hans Naumann (born in 1933 in Germany), one of Maurice Lemaître's most trusted collectors and one of the most important Lettrist bibliophiles, who has assembled a vast collection of rare or unique works and books related to this avant-garde movement founded in 1946 by Isidore Isou and still largely overlooked.

More than 150 drawings from the collection of producer and filmmaker Marin Karmitz: a selection of works by historical, modern and contemporary artists that highlights the tension between the life and death drives.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.

A comprehensive illustrated compilation of typographic works produced by bachelor and master students at ECAL over the past ten years.

A 33-year journey through the Venice Biennale (1993–2026).

Eroticism and sexuality in Marina Abramović's work.

A renewed reading of Walter Pfeiffer's photographic practice.

Edited by Michael Corris, the expanded edition of In the Belly of the Beast: Art & Language New York Project 1972-1978 is a survey of the tumultuous years of the political Conceptualism in the mid-seventies New York.

A few months before the death of Edgard Varèse (1883–1965), Gunther Schuller (1925–2015) sat down with the composer for an in-depth conversation: his career and friendships, collaborations, new instruments, and the rare freedom he allowed the sounds they produced... A rare testament published for the first time in English and French.

This monograph traces the dazzling and prolific career of French designer Pauline Deltour (1983–2021) and showcases the richness of her work through images drawn from an extensive archive and contributions from curators, designers, and collaborators.

Edited from archival lectures, AH!MERICA captures Allen Ginsberg's profound exploration of William Blake as a guide for modern perception and social consciousness. It offers a "poetics of attention," teaching readers to find beauty in overlooked details and use poetry as a tool for resilience against political and personal despair.

Philippe Weisbecker's series of mirrors.

Artist's book (a tribute to the beauty of the greenhouse).

The first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019).

A meditative reflection by the Lebanese artist and writer on language and its loss.

The author, artist, and curator Olivier Marboeuf takes us on a journey through myths, archives, and fables, where fire symbolizes Caribbean culture, colonial oppression, and ecological disasters, and where the echo of past revolts becomes the spark for future insurrections.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

Lee "Scratch" Perry's photographic works and writings, inventoried in the legendary Black Ark studio in Kingston, one of the cradles of reggae and dub.

This collection of texts on design by the avant-garde Italian architectural group Superstudio (1966-1982) highlights one of the most powerful and complex moments in the period of Italian architectural neo-avant-garde, revealing a progressive and increasingly radical reflection on the meaning of design, on architecture and design as forms of thought, and finally on life itself as a project.

A powerful and highly original psychoanalytical, philosophical, and political exploration of the dimensions of sensitivity, the unconscious, and psychedelia in the context of an experience based on medicinal plants (peyote, mushrooms, and ayahuasca) and psychotropic drugs, in the wake of Félix Guattari's thinking.

Anne-Marie Morice traces the "urban drift" carried out in the northern suburbs of Paris in the 1950s by members of the Lettrist International, and later by those of the nascent Situationist International, led by Guy Debord, and analyzes how this way of experiencing urban space influenced both their artistic practice and their theoretical work.

A collective reflection on the tensions and shifts taking place in design, in light of contemporary and future challenges, combining forward-looking visions with concrete experiments, and bringing together theoretical approaches, manifestos, and analyses of design practices, from a critical perspective that responds to the environmental, social, cultural, technological, and political transformations of our time.

The first French translation of one of the seminal texts on the decolonization of art.

A collective biography exploring the legacy of Nathalie Magnan (1956–2016), a pioneer of cyberfeminism and media activism.

A journey through the twists and turns of the history of the hat, via a rich and eclectic collection of images where different styles and eras coexist—from the headgear of Greek laborers to the bell hats of the Roaring Twenties, and from Phrygian caps to modern baseball caps.

A labyrinthine collection of 100 short stories written by Peter Greenaway throughout his career, serving as sources of inspiration, provocations, or ideas for unmade films, paintings, or exhibitions, illustrated by the strange fairy-tale characters of Italian filmmaker and stop-motion animator Stefano Bessoni.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

Jonathan Crary decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography.

The French translation of a seminal work considered to have sparked the "affective turn" in philosophy and cultural theory.

The first French translation of a selection of twenty writings by Gui Bonsiepe, a leading figure in design.

The selected texts from Les Bas-bleus (1877) by Jules Barbey d'Aurevilly allow us to gauge the violence of the misogynistic prejudices that 19th-century women writers had to face in their daring quest to carve out a place for themselves in the literary world, while also rediscovering the sharp style—as delightful as it is venomous—of an important and resolutely "anti-modern" writer of his time.

A book that builds on the curatorial work developed by Elvan Zabunyan around the archives and correspondence of Angela Davis, Audre Lorde, and Toni Morrison.

Mathilde Roman explores contemporary video installation practices through the lens of theater and the performing arts.

The third volume in the "EKES (EarthKeeping EarthShaking)" series, this collective work—a forum for dialogue among artists, curators, and experts in the humanities and environmental sciences—sets out to explore "ecological vitality."

The 37th issue of the Cahiers Charles Fourier offers a glimpse into the variety of expressions of Fourierism and the social experiments that have continually drawn inspiration from it.

A great Chinese painter, calligrapher, and poet, Fan Zeng conveys the spirit of literati painting in these studies, which draw on classical texts and his own experience with the painting.

A painter-poet reflects on Laozi and Zhuangzi "from the heart" in an illustrated volume featuring his ink drawings.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

The first French translation of the landmark work by media theorist Friedrich Kittler.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A genealogy of the modern artist.

A collection of essays on audio archives of poetry.

A journey through the musical avant-garde movements of the 20th century, covering 200 seminal albums.

A broad exploration of precariousness—whose contours and realities are constantly evolving—examined through the lenses of architecture, the city, and the landscape.

A renewed and expanded approach to writing the history of architecture and the profession.

Comprehensive monograph.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

Issue 2 of Fidback, the film journal edited by the FIDMarseille festival, with a a look back at the 36th edition of the festival, a focus on films that made waves on the global cinema scene in 2025, a carte blanche granted by the Cnap to the FID to select a work from the Cnap's 2025 acquisitions (The Watchman by Ali Cherri), and a portrait of the Chilean filmmaking duo Carolina Adriazola and José Luis Sepúlveda.

Interviews with Tokio Hasegawa (Taj Mahal Travellers), Ami Yoshida, and Mélodie Blaison; "writing about sound: attempts at solutions for a particularly tough algorithm" by Kasper T. Toeplitz; Jérôme Bouve by Delphine Dora; book and album reviews...

Through a dated diary and film photographs, a young woman explores her Algerian and Kabyle roots: a sensitive account of a language that was never passed down, family memory, and personal decolonization.

An illustrated sociological essay on women's emancipation through sexuality.

The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.

Five stories set in a world in upheaval, taking us to the far reaches of Russia, Ukraine, South Africa, the Democratic Republic of the Congo... and the Botanical Garden of the National Museum of Natural History in Paris. Non-human beings are the central characters in these stories.

Christiane Geoffroy’s "fragments" work through small touches, through trial and error. Their great temporal flexibility allows them to wander from the origins of the universe and life to generations not yet born. At times, they function as short performative poems.

A philosophical perspective on photographic images.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

A reflection on our present, through a series of portraits of contemporary artists.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

A raw yet tender book of visual poetry that speaks of desire, reinvention, Brussels nights, creatures, wounds, laughter that comes from far away, celebration, the communion of bodies and spirits, friends.

New monograph.

A glossary of key terms that design shares with other related fields and disciplines, offering a broader understanding of the topics and issues specific to contemporary design.

Julien Blaine's poetic bestiaries.

Three essays in which philosopher Étienne Balibar questions the notion of war through the thinking of Simone Weil, Carl von Clausewitz, and Karl Marx, as well as the current geopolitical situation and the war in Ukraine.

Colonial images, educational images. A major study in art history in which Sophie Leclercq, drawing on and analyzing multiple sources, texts, and visual documents, sheds light on a blind spot in French colonialism: how, between 1870 and 1960, children were taught about colonial conquest through edifying imagery, and how their view of colonized populations was shaped?

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

A legendary artist's book finally reissued in an updated and revised version, Enseigner et apprendre, a truly collaborative work, provides a valuable introduction to Robert Filliou's work and his pioneering and innovative ideas on the educational dimension of artistic creation.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

A selection of samples, models, and furniture representative of the work produced by the design studio formed through the collaboration between Bernard Quirot's architecture agency and the designer and cabinetmaker Paul Michelon.

Conceived and written by members of INA-GRM, drawing on more than fifty years of experience in diffusing and presenting electroacoustic music in concert, the Acousmonium Handbook offers a synthetic exploration of the issues, techniques and methods applicable to acousmatic diffusion and sound spatialisation.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

A historical and thematic book that aims to tell the adventure of the Casablanca Art School, through a polyphony of stories, experiences and actors.

The choreographic in cinema.

Emma Merabet explores non-anthropocentric forms of performance, in which humans are no longer the focus of attention, and in which non-human elements (materials, objects, animals, machines, natural phenomena, etc.) become fully-fledged presences and agents.

A transatlantic dialogue between the complementary collections of the Mia and the MAMC+ that traces, through more than 100 works by some 40 artists, key milestones in American art from 1950 to the present.

By retracing the history of three colossal candelabras made by Piranesi (1720–78) from fragments of ancient Roman sculptures, Caroline van Eck introduces us to the complicated journey of art objects from their production to their reception, and tests the effectiveness of anthropological methods by isolating what relates to the commodification of art objects and their singularization.

An immersive road trip in the footsteps of American writer Harry Crews (1935–2012), by Yann Stofer and Julien Perez: a book featuring film photographs, video clips, and audio excerpts, set in "an America unaccustomed to visits from foreign tourists."

An intellectual portrait of a major figure in 20th-century architecture.

An essay by Alexandra Midal on visual learning experiences through images, based on two revolutionary projects by major 20th-century designers: Charles & Ray Eames, Georges Nelson and Alexander Girard, and Ken Isaacs.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti.

This revised edition of Louise Colet’s Voyage en Orient (1873)—a vivid account of the poet, novelist, and committed feminist journalist’s enchanted discovery of nineteenth-century Egypt—brings to light a passionate literary work that has long remained overshadowed by her famous, tumultuous romantic affair with Gustave Flaubert.

A seminal exploration into screens' crucial functions and profound impact on human culture.

A groundbreaking study on the relationship between Wassily Kandinsky, pioneer of abstract art, and the photographic image.

An exploration of the intermedial potential of literature, extending beyond the book format (into the fields of visual arts, theater, performance, cinema, and music), developed in and around the catalog of the publishing house P.O.L.

A history of art in France from the women's perspective.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

When considered in parallel, Sigmund Freud's study of Michelangelo's Moses and his private collection of antique statuettes reveal elements of visual psychoanalysis that contradict the supposedly iconoclastic nature of this science.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

The other side of images in cinema, between phenomenology, art history, literature and ecology.

An autobiographical account and uncompromising meditation on the meaning of design, in the voice of the man who represented the ethical and political conscience of the discipline in the second half of the 20th century.

A comprehensive overview of the work of Chantal Montellier, a comic-book pioneer and mentor to younger generations, highlighting the diversity, richness, and artistic qualities of an engaged and visionary body of work.

The critical edition of the pioneering work on art history by Françoise d'Eaubonne (1920-2005), inventor of the concept of ecofeminism.

Ornella Volta's definitive posthumous book on Erik Satie, featuring all the composer's writings, largely unpublished documentation and biographical elements, for the first time precisely related to the works.

An unclassifiable classic, precursor of the “material turn” and of media theory, finally reissued.