New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

A collection of texts, projects and images by the Parisian architecture studio on the subject of the highway, the most radical public space ever imagined, but also the most divisive and criticized today, questioning our relationship with modernity.

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu: a sensual and kaleidoscopic celebration of the world's cultural diversity.

Writer Inge Bondi sheds fresh light on the life of her close friend and colleague, the Austrian American photographer Ernst Haas (1921–86), an early innovator in color photography, whom she first met in New York's Magnum offices in 1951.

The American and Parisian photographer, member of Magnum Photos, known for his street and everyday life photographs taken on the spot, celebrates the public use of the written word through a series of images of graffiti and inscriptions on signs, clothing, banners, gravestones, etc., produced over more than 50 years.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

A previously unheard archival recording of the legendary improvising ensemble Musica Elettronica Viva (Alvin Curran, Frederic Rzewski and Richard Teitelbaum), captured in concert at Bard College, New York in 2012.

Six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

The first release of celebrated London-based Canadian composer Cassandra Miller's music on vinyl, presents a pair of compositions for voice and ensemble that exemplify her gently absurd, strikingly beautiful, and utterly unique work.

Repress of Coil's final studio album and absolute masterpiece, re-cut from original Peter Christopherson approved masters.

The second in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music, featuring exclusive music from Kali Malone, Jessica Ekomane, Mats Erlandsson, Theodor Kentros, Wilma Hultén, and Maria W. Horn.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

More than a decade after the release of "Land Lines", the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with "Atheistsaregods".

Repress of the Lebanese trio's 2014 album, born from Raed Yassin and Charbel Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, disassembling and re-configuring the work and style of the iconic guitarist's innovative take on Arabic music.

Lisbon based keyboardist João "Shela" Pereira's new strangely haunting album.

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

Andrew Black aka blackbody_radiation's debut album gathers six ghostly drones, created with the help of sound masking, fully in line with the aesthetics of Jan Jelinek's Faitiche label.

Matching expansive ambience with environmental sound, Chihei Hatakeyama's new album continues Field Records' exploration of Japan and the Netherland's shared approach to water management.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

At a time when refugees in Europe are caught between a "return" policy and the rise of far right governments, this book combines photography and philosophy to examine the representation of refugees.

A previously unpublished collection of 60 ink pictograms by the early progenitor of the artist's book genre (new edition).

A new edition of Tiger Tateishi's incredible comics sequence.

Tucker Nichols' flowers paintings.

The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Tori Kudo's ceramics.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

High Entertainment by David Robbins argues for a category of cultural production that combines the experimental ethos of art with the accessibility of entertainment.

In 100 Hotel Sketches Daniel Arsham compiles 100 drawings made over the last few years as Arsham has travelled for exhibitions and installations worldwide.

A collection of poems by French writer, painter and illustrator Jean-philippe Delhomme, accompanied by previously unpublished ink drawings.

New monograph.

The fourth issue of the annual graphic design journal, dedicated to image and print techniques, with Atelier Murr, Atelier National de Recherche Typographique, Juanma Gomez, Julien Van Anholt, Alexis Dandreis, Sébastien Esteban Desplat, Amélie Dumont, Les Artisans du Regard, Maximage, Fraser Muggeridge, Our Polite Society, Éloïsa Perez, La Perruque, Roman Seban.

Elisa Filomena's women.

In Design by Accident, Alexandra Midal declares the autonomy of design—in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present (new edition).

Navigation and montage in Harun Farocki's work.

Exhibition catalogue of filmmaker, visual artist, and writer Pedro Neves Marques's solo project "Vampires in Space" at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

The sequel to Nicolas Le Bault's graphic novel of intimate horror and fantasy.

Interviews with Vivian Xu, Abi Liu, Stephen Cornford, Timo Toots, Egor Kraft; reports: xCoAx 2022, Ars Electronica 2022...

Rhea Dillon, Art & Language, Nikita Gale, Precious Okoyomon, Rory Pilgrim & Carol R. Kallend, SoiL Thornton, WangShui, Issy Wood...

The final issue of Sound American journal, , as a tribute to the musical community, with Eileen Myles, Ellen Pullman, Brandon Lopez, Ellen Fullman, Albert Oehlen, Natasha Pickowicz, Patricia Nicholson Parker, Michael Ranta, Sarah Hennies, Vincent de Roguin, and Lesley Mok.

First monograph of the Franco-Iranian artist.

A series of flamboyant and exhilarating works by the Flemish painter, dedicated to his personal pantheon of the great female figures of History.

A collection (montage) of biographies and themes written by Jairus Banaji.

First English translation of the 1918 pamphlet against the prison camps by the Finnish land owner Hjalmar Linder (1862-1921), which will lead to his class disgrace and death.

A series of 16 photographs documenting an action for house lights performed by Alice Guareschi at the Olympia Music Hall in Paris (leporello).

In Perpetual Slavery, Ciarán Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labor haunted and structured by the historical experience of slavery.

A musical work born of residencies for two musicians and a dancer in three natural parks in France, tuned to these three geographies as open-air studios, in dialogue with the mineral, plant and animal environment.

Over the course of 40 minutes, the guitar treatments of composer, multi-instrumentalist and label head (Black Truffle) Oren Ambarchi (he also plays an audobon bird call) and the percussive work of Eric Thielemans perfectly merge in an outstanding improvisational session.

Unreleased tapes from the 70s and 80s.

The Anti-aesthetic at forty, Chryssa, Sung Neung Kyung, Ed Ruscha...

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

First monograph of the African-American artist, renowned for her representations of black femininity, whose spectacular pop patchworks deconstruct and recompose the everyday feminine/masculine relationship in its domestic dimension: an overview of Tschabalala Self's production, with seven essays and an interview.

The third issue of Le Signe Design (the Cahiers of the National Graphic Design Center) is about DIY practices and is based on the work of Gilles de Brock, graphic designer who became a ceramic tile manufacturer.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The inaugural edition features 18 artists, and showcases over 80 original artworks and literary texts.

In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.

The experiments of three musicians with different backgrounds who improvise together around continuous sinusoidal waves, between minimal and rock sensibilities.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The very first completely handmade and almost unreleased recordings of Graham Lambkin and Darren Harris under the name of Cat & Bells Club, prefiguring The Shadow Ring.

Recorded in Lary 7's legendary apartment studio Plastikville over nearly a decade, Larynx is the first full-length retrospective of the East Village icon's hybrid music and engineering practice.

7038634357 (Neo Gibson)'s first vinyl record, between soundscape, song, and silence.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.

Artist book: a visual and poetic investigation of the enigmatic figure of the "Middleman", combining short punchlines and full-page illustrations, which are wryly reminiscent of Kafka's fictional world. The publication comes with a cardboard puppet, to be screwed and assembled.

Artist, photographer and filmmaker Aradhana Seth's photographic archive of painted signs in India: a visual itinerary through the historical-economic changes of Indian society over the years.

29 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

The 2024 Toilet Paper wall calendar.

A collection of about thirty texts to resume the passionate conversation that Jean-Luc Nancy was engaged in throughout his life, with philosophers and artists from all over the world.

Diaphanes #11 explores practices of human and non-human substitution, plays with the myths and visions of motherhood and procreation, gathers artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

Three series of works that the Californian artist of Japanese origin has been producing since the 1970s, plus a text, in four booklets.

First monograph of the Spanish painter: a collection of paintings and drawings created by Cristina BanBan between 2021 and 2023, accompanied by a text by Grant Klarich Johnson.

New monograph, focused on the last years of work of the duo around the animal, landscape and ecological issues that cross it.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

Reference monograph.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

New monograph.

New monograph.

This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

As a prefiguration of its new formula, this issue of the Palais de Tokyo magazine is accompanying, but above all deepening

An in-depth study of Peter Märkli's work through an extensive body of 700 drawings by the Swiss architect, with eight essays.

An architectural fiction that takes the form of a photo novel, born from the meeting between an author, Ugo Bienvenu, and the architects of the French Pavilion of the 18th International Architecture Biennale in Venice.

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

Back in stock! (2nd edition). The second issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, is dedicated is devoted to the concept of resonances, with contributions by Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, and Christian Zanési.

Back in stock! (3rd edition). The first issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, Spectres – Composing Listening presents a series of texts by composers (Félicia Atkinson, François Bayle, Brunhild Ferrari, Stephen O'Malley, Jim O'Rourke, Eliane Radigue, Chris Watson...) who discuss personal dimension in the practice of experimental sound art and music.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

Igor Terentiev's biography of Ilya Zdanevich published in 1919 in Tbilisi.

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

Retrospective monograph: a panorama of Jennifer Caubet's work over fifteen years.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

New monograph.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

The reprint of a cult book of post-1968 psychedelic culture:, an encyclopedia of the cultural and artistic manifestations of the rainbow first published in 1975 in Berkeley, California, on the occasion of The Rainbow Show exhibition held at the Fine Arts Museums of San Francisco.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

First Arabic translation of Virginie Despentes' cult book King Kong Theory.

The first book on the art-world legend who installed his ephemeral sculptures on the streets of New York's East Village.

The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.

A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.

An overview of Xavier Veilhan's recent production.

A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

A retrospective of the performances, photographs, installations and videos of the avant-garde collective that disrupted the Chinese cultural scene in the 1990s.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

Suspected of having been completely assimilated by the commercial industries, it is not so much against these that art must be defended as against a simplistic narrative imposed by a certain sociology of art. When one is finally interested in the artistic practices themselves, it becomes obvious that the art continues to resist: by its politics of the forms.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

An analysis of the true theoretical and commercial system developed by Michel Tapié de Céleyran (1909-1987), who invented his profession of art entrepreneur by combining several activities—art critic, editor, artistic advisor, broker and collector—, contributed to the international destiny of some 200 artists (including Dubuffet, Mathieu, Pollock, Tapiès, Saura, Fontana, and De Kooning) and was at the origin of "Informal Art".

A series of samples taken every April 24, for eighty-seven years, from the most diverse sources (press articles, television broadcasts, book and film releases, speeches...): a mass of information that makes, from the smallest to the most imperious, the history of a country.

A poem built like a long love song to the wounded Aleppo, to all the Aleppo of the world.

A poetic investigation on desire, love and masculinity in the form of a constellation of texts, drawings and photographs.

The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Two essays by Steven Feld, a leading figure in anthropology and sound studies, that challenge established acoustic perspectives and open up the exciting field of research-composition.

Twelve texts on as many architectural masterpieces: pursuing their project to disseminate the work and thought of Livio Vacchini, Caryatide publish a new edition in French of Capolavori, the small (and immense) milestone, full of meaning and poetry, that the architect from Ticino wrote in 2006 just before his death.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

A complete light on the unpublished work given by Jean-Pierre Raynaud to Ukraine, a modern version of Picasso's Guernica, a universal symbol of the denunciation by art of the horrors of war, whose exact monumental dimensions the French conceptual artist now takes up in order to realize, almost a century later, the counterpart according to his own aesthetic codes.

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

The transposition of an exhibition into a book format, spatialising concrete poetry on the page (artist's book).

Anna Serra's new book of poems, born of a struggle on all levels: the body and its illness, the body and its environment, the body in the midst of other struggling bodies, and the body pushing back its own confinement.

A little book-object that offers a perspective the installation by French artist Mathilde Rosier at the invitation of the Mucem: glass "seed-eyes" sown on the façade and in interior spaces of the Centre de Conservation et de Ressources (Marseille).

An artistic and literary project based on the emblematic and ambiguous plant figure of the bramble.

Eileen Myles, motherhood and an artistic career, Kelly Reichardt, Pierre Creton, Julien Gosselin's sermon on the fall of Vienna, squatting on algorithmic video surveillance in Rotterdam...

New media theorist Wendy Hui Kyong Chun exposes her original conception of programming and code, alerts us to the racialization bias, homophily and eugenic tendencies that govern our interactions on platforms, and analyzes the need to call upon the humanities and social sciences in the development of algorithmic models for predicting the evolutions and impacts of climate change.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

Undoubtedly one of the most important texts on the out of book poetry, both a documentary sum and a manifesto to underline the major role that the poetry and the poets have occupied and occupy in the whole of the transformations that have upset the the contemporary art field, considered by the amateurs and the researchers like a true bible.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

A comprehensive overview of performance and action art in Greece, from its origins to the most contemporary practices.

A singular book resulting from an investigation on the arts of sharing sound in an art school based on experiments with Scott Arford, Mario de Vega, Kevin Drumm, Christina Kubisch, Randy H.Y. Yau, art students and Jason Kahn who offers here a text on his listening to the place.

An artist's guide to copyright, written for makers.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

As part of a series of publications on singular architectural bodies of work, this volume presents three projects by architects working with Bernard Quirot in Grachaux, Haute-Saône (France), which examine three materials and their use in a local perspective of "critical regionalism".

A novel of anticipation anchored in queer ecologies, a frenetic odyssey interwoven with songs and short poems, mixing the genres of feminist science fiction, young adult literature, space-opera and marvelous fable.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.

The sequel to Nicolas Le Bault's graphic novel of intimate horror and fantasy.

In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.

First French translation of the famous 1966 interview with the American saxophonist by writer and jazz specialist Frank Kofsky.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

An multidisciplinary approach of the war by its traces.

The temporal dimension of the image.

A collection of poetic, political and ecological stories to be told aloud, in which the natural elements (the melting ice, the volcanic eruption, the hole in the clouds, or the flood) are the heroes, approaching ecology through its sensitive manifestations.

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

A study of the Pictures Generation that considers the feelings provoked by sensational images manipulated by these artists.

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

A thorough investigation that renews the understanding of Japonism from the French art of the nineteenth century, avoiding the temptation of orientalist exoticism while reversing the logic of influence, with an abundant also entirely renewed iconographic corpus.

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

The most important monograph to date devoted to the work of Anne Van der Linden, a major figure in the underground art scene, with nearly 300 images, paintings and unpublished documents in colour.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

A transnational and transhistorical investigation carried out in the heart of museum and artistic practices between France and Senegal in the 1950s to 1970s, inviting us to decentralize our views in order to consider the globalized history of art of these years in a new light.

An conceptual attempt to think differently about freedom in its acts.