An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

The critical edition of the pioneering work on art history by Françoise d'Eaubonne (1920-2005), inventor of the concept of ecofeminism.

Invited by Pierre Mabille, nine artists, from both sides of the Atlantic (Sheila Hicks, Fanette Mellier, Mathieu Mercier, Sarah Morris, Dan Walsh...), share their impressions of one of the 20th century's most influential abstract painters and teachers.

Research-creation reconsidered from its historical upstream (before, when we spoke of Arts-Sciences), but also from its possible downstream (after, from the point of view of other conceptions and other practices yet to be invented).

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

A major milestone in the history of design, this pioneering work by Tomás Maldonado, published in 1970, lays the foundations for a critical and committed reflection, open to an ecological perspective, against the drifts of utopian regressions or exacerbated productivism.

The catalog of the fifth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2025, on the theme of music.

Ornella Volta's definitive posthumous book on Erik Satie, featuring all the composer's writings, largely unpublished documentation and biographical elements, for the first time precisely related to the works.

A panoramic, cross-border exploration of performative practices in literature, art, dance, theater and more.

An unclassifiable classic, precursor of the “material turn” and of media theory, finally reissued.

A new field of counter-investigation across journalism, human rights, art and law.

A history of the representation of blindness in art, from Brueghel to Louise Bourgeois.

A research project exploring the relationship between the ordinary and architecture, in everyday architecture, featuring the work of sixty-one architectural offices from across Italy, accompanied by reflections of scholars and professionals.

L'Éclat de l'absolu is a crucial work for anyone interested in Alain Badiou's thought. Through interviews conducted by philosopher and editor Jana Ndiaye Berankova, readers are invited to immerse themselves in a rich and nuanced dialogue exploring the major philosophical influences—Plato, Hegel, Sartre, Althusser, Lacan and Deleuze—that have shaped Badiou's thought.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

A card game designed by Chloé Déchery and Marion Boudier, in collaboration with illustrator Éric Valette, to contribute to the development of a “culture of return” in artistic creation, distribution and teaching.

Refusing the digital world of late capitalism.

The tenth and final anthology from Blank Forms offers an exceptional insight into the work, working methods and thinking of the French pioneer of musique concrète and electroacoustic composition Éliane Radigue, through key texts, a wealth of archival documents, in-depth interviews and commissioned essays.

A set of insights into the mass culture of the Weimar Republic, and its rituals of distraction, which prefigure our present.

A resolutely contemporary author, Emmanuel Adely revisits the fairy tales of Perrault and Grimm and brings them up to date with his lively, sharp writing.

As part of a wide-ranging reflection on the living environment, addressing design through its various uses and based on concrete cases, curator, urban planner and art historian Jolanthe Kugler explores the historical and societal dimension of emblematic kitchen objects, highlighting the evolution of representations linked to this seemingly banal room.

An original history of Pop Art from the point of view of drawing, resituating the leading role played by this medium in the development of closer links between art and life.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely (also available in English).

50 poems by Pauline Picot, autobiographical fragments that also reflect the daily lives of those around her.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

Parker and Pollock's seminal volume of feminist art history.

An overview of the use of textile in contemporary visual arts around the world.

A new and expanded edition of the reference flora, the result of 20 years of studies and floristic surveys on a multitude of urban wastelands, allowing, through 600 photographs and 800 original drawings, to recognize and name some 300 silent plants that we come across every day: a methodical herbarium of the wastelands which constitutes a true guide to biodiversity, beautiful and playful, accessible and rigorous..

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Also available in English edition.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

First French translation of José Esteban Muñoz's field defining work—an intellectual inspiration for a generation of LGBTQ scholars.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.