This manual proposes a state of current knowledge on the functioning of nature in an urban environment: its ecology.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal.

A rereading of the work of the Swiss architect.

First monograph.

The new fantastic novel published in the “tales for adults” series, in which contemporary writers explore through fiction the most recent research in sciences, reviving a tradition in scientific literature. A tradition which aims at making dream and meditate on the way the world is represented as it redefines itself today.

Un panorama de la vie et des pratiques artistiques d'un maître de la photographie américaine, figure de proue de la culture de Downtown dans le New York des années 1970 et 1980.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

The reconciliation of art and life, at the heart of the reflection and practice of many modern and contemporary movements.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

Jean Dubuffet, Art Brut, and the primitivist paradigm.

French art historian Anne Lafont delivers an unpublished study on the close and paradoxical relations of art and race in the Enlightenment. A new voice in current works on issues of race, art, images and colonization.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

Avec l'image de la diagonale comme fil conducteur, David Collin propose une traversée singulière de la vie et de l'œuvre du poète, romancier, médecin de marine et archéologue Victor Segalen (1878-1919). Une invitation subjective à partir sur les traces de l'auteur des Immémoriaux (Polynésie), d'Équipée, de Stèles et de René Leys (Chine).

A pioneering approach to the history of emotions.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

A biography of the founder of Pataphysics, by Alastair Brotchie.

An analysis of the relationship between art and literature over the last six decades.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

20 proposals for the intersection of artistic practice and research in academic milieu.

Typologie is a collection of design books about ordinary objects. This issue dedicated to the wine bottle features a photographic section with 60 silhouettes of rare or common bottles; a geography of forms, from Bordeaux to Alsace; a photographic report in the glassworks of Albi; a conversation between a botte-maker, a winemaker and a collector of ancient bottles.

Also available in English edition.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

This catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel. It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

A collection of texts about time and artists working with it.

Common sense: a philosophical investigation (after Alfred North Whitehead).

The aesthetics of Gilles Deleuze.

Different perspectives (art history, philosophy, photography, film, architecture, history of science...) on the heterogeneous forms the discourse of pictures can take (an anthology).

Inside the white cube.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

First translation in French of a major work by British social anthropologist.

The story of objectivity, by two of the greatest historians of science today.

The first French translation of the landmark work by media theorist Friedrich Kittler.

The first French translation of Yve-Alain Bois' reference study on modernism

A synthesis of the multiple dimensions of the protean oeuvre of a legendary artist, which we measure today to what extent they find an echo in contemporary environmental, cinematographic, aesthetic and social issues.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.