David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

A collection of interviews and studies of performances that constitutes a crossing of the contemporary theatrical and choreographic landscape, re-examining the critical and theoretical tools that allow us to apprehend and think about current scenic forms.

A polyphonic genealogy of the concept of contemporary African art.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923–1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present.

Vegetal life at the forefront of philosophical thought.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

An anthology.

An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

The fertile exchanges between French and American poetry since 1968.

First issue of the critical magazine published by Cosa Mentale, in which the words of the architecture practice Bruther and of Laurent Stalder, professor of architecture history at ETH, confront each other around the theme of “hypercomfort.”

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist.

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

Also available in English edition.

This manual proposes a state of current knowledge on the functioning of nature in an urban environment: its ecology.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

A rereading of the work of the Swiss architect.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

French art historian Anne Lafont delivers an unpublished study on the close and paradoxical relations of art and race in the Enlightenment. A new voice in current works on issues of race, art, images and colonization.

A lexical survey on compositional practice in contemporary dance.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

The pleonectic comes from a neologism that means: have-more. The challenge of this major book by Mehdi Belhaj Kacem is to identify the ontological principle from which to question the afflictions in which our world is struggling.

Two thinkers of different generations discuss the question of sexuality and philosophy.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

The story of objectivity, by two of the greatest historians of science today.

20 proposals for the intersection of artistic practice and research in academic milieu.

Inside the white cube.