A collaboration between artists Musquiqui Chihying (Taipei, Taiwan/Berlin) and Gregor Kasper (Berlin) together with rapper Elom 20ce (Lomé, Togo).

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

A work Andrea Tippel started in 1993 and finished in 2009, consisting entirely of three-letter-words (two CDs in fullcolour six-panel DVD-sized digipak, with a biographical text, a chronology of the work and a text by Dorothy Iannone).

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Release of conceptual and perfomative pieces by Christina Kubisch composed & realised between 1974 and 1984, during Kubisch's years in Italy.

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

In Un homme sensible, Octave Mirbeau tells the story of a murderer who, in the name of world harmony, is determined to rid the world of "all organisms unfit for a strong and harmonious life". This inspired Nurse With Wound, which, as an illustration, gives us here a new piece of unpublished music.

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Framework 3 is the latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings. The series includes the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations. On this release he collaborates with Katja Gretzinger and Nicola Ratti. Published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Gretzinger and contributions by Ratti.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.