A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Sharpened to its core, Solids For Voices by the Danish group Valby Vokalgruppe dives deep into rhythmical architectures built almost solely from the voice.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

A 5-CD boxed set featuring the collaborative work that the BarDem duo (Vincent Barras & Jacques Demierre) has been carrying out for several years with Swiss and international artists, on the margins of the traditional categories of literature, poetry, performing arts and music.

Rhythmic, exotic, deep & primitive sounds for post modern ears: the first album by the acoustic ensemble founded by Daniel Denis (Univers Zéro) and Alain Neffe (Pseudocode).

Clarinetist Dries Tack pays tribute to the master of minimalism Alvin Lucier.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

Two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches.

The Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra.

Black Truffle presents a new edition of Kassel Jaeger's "Fernweh", returning François J. Bonnet's electroacoustic project to the label five years after the acclaimed "Meith".

Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep", issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.

An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Fifteen pieces by Jason Kahn, based on field recordings made during an artist residency in Taiwan in 2023, composed in Zurich in 2025.

A short story by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack, dialogues, and images of Salomé Lamas' film Ouro e Cinza / Gold and Ashes (2025); featuring text by Frédéric Neyrat, Isabel Pettermann, Isabel Ramos, Lucas Ferraço Nassif, Salomé Lamas. The experience is intended to be intimate and meditative as it resonates between the spoken and unspoken, between sound and silence.

A sensitive work with which radio art and field recording composition pioneer Brunhild Ferrari revisits and recomposes her impressions of the past and her sensory reminiscences.

This rich collection spans much of Annette Vande Gorne's long career, and gives a great sense of the stylistic variety of her work.

L'altro Hotel by Michele Di Stefano brings together, in a lucid and amusing way, fragments of a vast collection of voice memos collected by him from around the world as a catalogue of localized sounds, precise moments of personal experience.

The first two albums of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

A moment in bird territory: a musical piece created live in an aviary fitted out with musical instruments, in which visitors are invited to stay in the company of some sixty live Australian finches, hopping quietly (and harmoniously) on 12 tuned electric guitars that have become perches.

A previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.

Robert Millis' first album with the Discrepant label explores his obsession with hidden sounds and its anomalies.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.

Eight sound pieces delicately handcrafted like a game between inside and outside.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.