The other side of images in cinema, between phenomenology, art history, literature and ecology.

A history of art in France from the women's perspective.

A retrospective of the striking scenographies designed by Nadia Lauro since the early 2000s, visual environments, fictional landscapes, disorienting architectures, and living sets that have played a pivotal role across the vibrant field of dance and performance in Europe.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

A comprehensive overview of the unique work of the Italian artist born in 1931.

A seminal exploration into screens' crucial functions and profound impact on human culture.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

22 international architects and architect-researchers collectively question what architecture can do.

A collection of essays and interviews reflecting on the future through the lens of artistic thought and action.

A study of the affects and effects of Russian narratives and their global dissemination.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

Catalogue of the 2025 Islamic Arts Biennale, combining ancient heritage and contemporary art.

Conceived by American artist Laura Owens, this publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

A broad overview of the contemporary Mexican art scene through a series of conversations with its leading figures.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

A selection of the most significant contemporary practices by Portuguese or Portugal-based artists.

Research on materials conducted by two leading figures in 20th-century Italian art, Enrico Prampolini (1894–1956) and Alberto Burri (1915–1995).

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

Nadya Tolokonnikova, R.I.P. Germain, Petra Cortright, Sophia Al-Maria, Aleksandra Domanović, Dennis Cooper, Philippa Snow, Banks Violette, Simon Denny & Hito Steyerl, Cory Arcangel & Maya Man, Diego Marcon, Jacolby Satterwhite, Danielle Brathwaite-Shirley, LuYang, Florentina Holzinger, Candela Capitán, Steffani Jemison, Charmaine Poh...

Andrew Berardini on Artificial Intelligence; Pepón Osorio; Arash Nassiri; Gloria E. Anzaldúa; Marcela Guerrero speaks with C. Ondine Chavoya; Daisy Lafarge; Dani Blanga Gubbay; Davide Stucchi speaks with Alex Bennett; Luca Lo Pinto on Hanuman Editions; Reynaldo Rivera & Abdellah Taïa; Jungle Books...

The Cahiers du Collège International de Photographie (CIP) put into practice a form of thinking rooted in photographic experience—on the margins of both academic and professional worlds. This first issue seeks to weave together all parts of the photographic ecosystem in a living reflection on the crisis of sensibility that runs through our societies.

A journey through the body of work of Portuguese filmmaker João César Monteiro (1939-2003), based on the programmatic notion of diagrams and the perspectives of two authors, Pascale Cassagnau and Hugues Decointet.

A transversal and analytical reading of Éric Baudart's entire body of work.

Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

The portfolio of the unique retrospective conceived by the Jeu de Paume reveals the singular vision of photographer Madeleine de Sinéty (1934-2011).

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

A comprehensive survey of Ahmet Doğu İpek's artistic journey over a decade.

Specially composed in her Milan studio, Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.

An overview of the multifaceted work of designer and set designer David Dubois, with a text by critic Jeanne Quéheillard.

The first French translation of Giorgio Grassi's 1967 text, La construction logique de l'architecture [The Logical Construction of Architecture] takes a strong stand in favor of an architecture that thinks for itself, against the current of experimental excesses that mark both his era and ours.

A personal reflection on fragmentation, language, and place.

Reference monograph.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

First English language translation of Alexandra Kollontaï's writings on Finland from 1906.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.