The heart of the political-aesthetic debate.

A transdisciplinary reevaluation of the dialogical character of humanism.

First of 29 volumes of Reiner Schürmann's so far unpublished lecture notes on the history of western thought, this publication traces the rise of self-consciousness in its modern form and function, with Luther as the central figure of Schürmann's study.

A collection of essays on audio archives of poetry.

A manifesto of the architecture of the air.

Paul Nougé, Ghédalia Tazartès, Paul Sérusier, John Butcher, Keith Rowe & Cornelius Cardew, Caetano Veloso... and 90 chronicles.

French edition of the compelling narrative that goes behind the scenes with the world's most important living artists to humanize and demystify contemporary art.

Une étude du dispositif d'exposition du diorama aux Etats-Unis au début du XXe siècle, entre art, anthropologie et sciences naturelles.

Retrospective monograph.

Diaphanes n° 8/9 se penche sur la question de l'authenticité et de l'auterité (nouveau numéro double, avec des textes français / anglais), avec Tom McCarthy, Marlene Streeruwitz, Christopher Meerdo, Shengze Zhu, Michael Müller, Claire Fontaine, Michael F. Zimmermann, Alexander García Düttmann..

This issue of Flash Art, with essays by Dorothea von Hantelmann and Isobel Harbison, dedicates sixteen-pages dossier to the work of Rebecca Horn, a pivotal figure of performative art, and develops a series of reflections on a younger generation of contemporary artists who are now using their bodies or their personas as agents in an attempt to re-cognize themselves in a present that increasingly rewards the loss of self-consciousness.

The second issue of the transversal magazine dedicated to contemporary creation and academic research focuses on the global ecological crisis, the impact of human activity on its environment and the interdependence between the entities that make up the Earth.

Une relecture de l'œuvre du grand graphiste franco-suisse, pionnier du minimalisme et précurseur en terme de typographie.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

An overview of video art production from the Pearl River Delta in China: having emerged in the mid-1980s, this vital yet under-represented art scene is thoroughly documented in this richly illustrated catalogue (460 ill.) which features works by nearly sixty artists (catalogue of the inaugural exhibition at Times Art Center Berlin).

This publication presents the outcomes of the master Materialisation in Art & Design (MAD) at Sandberg Instituut, Amsterdam. The contributions reflect on the program's quest to re-establish the material at the center of art and design practices.

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.

Halfway between a catalogue and a reader, this publication documents a long-term, touring exhibition project on the critical reception of Hubert Fichte's ethnographic travel literature. This large-scale initiative brings forth a multi-faceted debate on colonial modernism, ethnography, poetry and sexuality.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

Une boîte à outils conçue par la chorégraphe Catherine Contour.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.