Four artist's posters.

The retrospective of the website and the magazine Le son du grisli (2004-2021): interviews, portraits, chronicles (some of them unpublished)...

The catalogue of the 22nd Fondation Pernod Ricard Prize, curated by Lilou Vidal, an exhibition welcoming a generation of artists with diverse and plural practices, crossed by societal, identity and planetary questions in effervescence.

Art and the economics of the digital age.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

Ronan Bouroullec's ceramic bas-reliefs.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

A series of in situ improvisations on Mount Tamborine in Australia.

Milan Knízak canonical text Aktual University, dating from 1967, contains ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

An investigation of dubplate decay and the tactile relationship to the disc.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

An essay to account for the architectonics of Aby Warburg (1866-1929) by resituating his work within his project of general anthropology of expression: Lara Bonneau shows, from a text as little known as it is important, that the invention of iconology, which made the art historian famous, was underpinned by an ontology drawing on various sources, philosophical, psychological and biological as well as historical.

The partitions, to be activated by the reader, by Garance Dor, Diane Giorgis, Joël Hubaut, Alexandre Koutchevsky, Daniel Larrieu, Saïdo Lehlouh & Johanna Faye, Vincent Menu, Cécile Mainardi, Malte Martin, Delphine Perret, Pauline Picot, Aziyadé Baudoin-Talec.

Destruction/reconstruction and contemporary art.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

The catalogue of the first edition of the Montpellier Biennale.

Collective and individual artistic practices from a gender perspective.