All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

A polyphonic genealogy of the concept of contemporary African art.

A selection of artists and authors records within a multifaceted mosaic some of the most relevant, urgent and dystopian visions of today's changing world.

First comprehensive monograph.

A tribute to William S. Burroughs.

A tribute to William S. Burroughs.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

A conversation around books and reading, education and teaching methods, food and culinary practices, and agriculture and ecology.

The collected reviews and interviews of art critic, curator, and artist Christian Egger.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

First comprehensive monograph on Swiss artist Raphael Hefti.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward.

An unusual vantage on the history of cinematic production in the twentieth century.

This monograph deals with Diego Marcon's overall practice through the analysis of three works.

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.