A children's book by Johannes van de Weert, a veteran of the punk underground (Rondos, The Ex, Red Rat, Raket).

A groundbreaking study on the relationship between Wassily Kandinsky, pioneer of abstract art, and the photographic image.

A seminal exploration into screens' crucial functions and profound impact on human culture.

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

22 international architects and architect-researchers collectively question what architecture can do.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

A transversal and analytical reading of Éric Baudart's entire body of work.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

An artistic exploration of the political and emotional stakes of translation in the context of asylum law, through the lens of rarely heard testimonies: those of interpreters.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

An in-depth look at Carlos Bunga's multifaceted practice through a number of essays and a rich iconography including previously unpublished photos that reveal his working process.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

An overview of the French artist's film remakes over a decade.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

The first English-language catalogue dedicated to the Guangzhou-based artist.

Comprehensive documentation on the architectural design of the House of One in Berlin, a unique interfaith building housing a synagogue, a church, and a mosque.

A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.

Lorenza Longhi unfolds her strategies of subversion/reappropriation of the visual signs and codes of the society of control and consumption in the spaces of the Kunst Museum Winterthur.

What can resistance look like today? In search of an answer, Enis Maci draws a line from Jeanne D'Arc via Sophie Scholl to the Albanian Sworn Virgins.

How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.

The collection brings together a dozen texts by the great architect Paulo Mendes da Rocha (1928-2021), offering an overview of his work and Brazilian society in the second half of the 20th century.

First comprehensive publication devoted to Turkish performance artist Moni (Salim Özgilik).

Recorded live at Amsterdam's Oude Kerk during the 2025 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s, featuring Pallotta's photographs and texts by key figures from that scene.

The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Wolfgang Tillmans' work, in print.

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

A never released before live CD/DVD by Univers Zéro, a precious testimony to the band's artistic resurgence and stage energy.

A major study in art history in which Sophie Leclercq, drawing on and analyzing multiple sources, texts, and visual documents, sheds light on a blind spot in French colonialism: how, between 1870 and 1960, children were taught about colonial conquest through edifying imagery, and how their view of colonized populations was shaped?

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A reflection on what becomes of and what is produced by images displayed in public spaces.

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

First monograph.

British artist James Bloom uses AI to render the human body's movements dysfunctional as he generates them, and records the sequence in the form of a flip book.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.