Edited by design historian Emanuele Quinz, this volume brings together for the first time in French some fifty texts written by Ettore Sottsass between 1945 and 2001—essays, columns, and literary narratives—that reveal a constantly evolving philosophy of design.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create an other pedagogical turning point.

This issue 0 of the annual magazine dedicated to ceramics and related arts unfolds like a day, from morning until evening. But behind this day lies another, more expansive one: that of a life, from birth to death.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

Marking fluent's tenth anniversary, this book traces the organization's archive and includes an exhaustive chronology of over 300 pages that examines its own narrative while revisiting its history.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

A book that unfolds around a single word: headwear. An unusual, compound word, this broad title opens the doors to the history of the hat, to its forms and functions, to the importance of a vital accessory.

A book that unfolds around a single word: headwear. An unusual, compound word, this broad title opens the doors to the history of the hat, to its forms and functions, to the importance of a vital accessory.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

Issue 41 of the magazine of the Palais de Tokyo looks at the realities of artistic creation beyond urban areas and interrogates the idea of territory.

Dedicated to the study and critique of the WIP (Women in Prison) film genre, this book brings together a body of work spanning pop culture, historiography, activism, and the visual arts to examine representations of female incarceration.

A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

A retrospective of 10 years of graphic and typographic research by Coline Sunier & Charles Mazé during their residency at the Brétigny Art Center, presented as an alphabet book comprising 901 collected letters and symbols.

As part of the 7L's Correspondances program, Katrien de Blauwer explored the collection of books and magazines of Karl Lagerfeld's library at 7L, and reinterpreted it through a new series of photomontages in which the images serve as both a reference and a mirror.

This monograph on French-Caribbean artist Lucas Erin offers the first occasion to encompass an artistic practice rooted in a multicultural exploration of encounters, human interaction and forms of resistance to social normalisation.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

Stephen Felton's first major monograph traces a decade of painting between spontaneity and reflection.

Two sharp accounts by Ana Teixeira Pinto and Abeera Khan on the current ideological shifts and the subsequent forms of violence they produce.

A collective biography exploring the legacy of Nathalie Magnan (1956–2016), a pioneer of cyberfeminism and media activism.

Los Angeles-based photographer Danielle Neu's debut monograph.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.

Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.

This book showcases the research work of designer Mathilde Pellé, who explores design through subtraction in a sensitive yet radical way. It brings together a body of documentation and an inventory of prototypes and objects created over the course of a decade.

Chalk, a notebook, a notebook cover, a four-color BIC pen, a STABILO highlighter: what do these objects—so familiar that we no longer even notice them—say about us? Sylvain Wagnon, an education historian, joins forces with photographer Raphaël Wagnon to explore some forty everyday school objects.

A visual travelogue that critically captures the 2025 World Expo on Yumeshima, Japanese for "Island of Dreams," which took place from April to October 2025.

Magical practices (and design) as tools for experiencing the world in a different way.

Magical practices (and design) as tools for experiencing the world in a different way.

An exploration of how design has evolved in interaction with popular and material culture, drawing inspiration from technology as well as magic and the occult.

An exploration of how design has evolved in interaction with popular and material culture, drawing inspiration from technology as well as magic and the occult.

Prospective et futurologie, published in 1978 and republished here for the first time, is the first—and still unrivaled—overview of the experimental architectural movements of the 1960s and 1970s: through a reflection on alternative ways of living, Michel Ragon raises the question—more relevant than ever—of how architecture can adapt to the transformations of industrial society in the face of technological advances.

A chronicle of the punk wave in France in the late 1970s, as seen and experienced from the inside, weaving together the memories of Miss OD, the muse of the emerging Parisian punk scene, and FanXoa, at the dawn of the formation of Béruriers / Bérurier Noir, like flashes of a remarkable, dangerous, and out-of-control era that undoubtedly still has something to say about our present day.

A comprehensive study of the impact of the life sciences—primarily botany—and their expansion in the 19th century on the thought and work of Gustave Moreau.

A groundbreaking study of the broader impact of the various theories of colour psychology on visual cultures at the turn of the 20th century.

An essay on the figure of the writer-

Celebrating Jacques Villeglé's centennial, this retrospective publication—designed as a black-and-white album/magazine (complete with a sheet of colorful stickers to place on certain pages!)—traces nearly sixty years of work by a "flâneur," a collector of posters torn down by anonymous hands.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Through an analysis of the social and cultural history of the imperative of "creativity" that now shapes our lives, Andreas Reckwitz examines the paradoxical promises of aesthetic capitalism.