A collection of iterative cello performance that foregrounds shaking as a generative subject.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

A polyphonic genealogy of the concept of contemporary African art.

First issue of the annual review of the École des Arts Décoratifs de Paris, devoted to the challenges of contemporary decor.

A documentation of new values and new worlds and a guide to them.

Aesthetic practices and human rights in the global south.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive.

A split LP from two leading voices in electroacoustic music.

Drawing on the borders of abstraction: first monograph, conceived as an artist's book, produced in close collaboration with Léa Belooussovitch, as close to the aesthetics of her felt pen drawings.

Children and childhood in modern literature.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

An inventory of the research of the designer Samy Rio, which attempts to account for the rich and open process of his work towards a more sustainable design practice.

Schürmann's lecture on Marx emphasizes the philosophical axis of the German theoretician's work and reads it as a transcendental materialism.

The deep political and moral ambiguity attributed to the maritimeelement in Western philosophical and literary imaginaries.

The first comprehensive and thorough scientific study of typographic typefaces created in Germany, Italy and France between 1459 and 1482, which are neither fully gothic nor roman.

French edition of the compelling narrative that goes behind the scenes with the world's most important living artists to humanize and demystify contemporary art.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.