Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

Julien Blaine's new collection of poetic, visual and typographic experiments.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

Released in Sub Rosa's Early Electronic series, this LP reveals the extraordinary diversity of research—almost all hidden—by Spanish musicians in the '50s and '60s.

Inter 143 invites you to explore Mad art, Crip art, disabled art, deaf art, raw art, edible art, situated art and inclusive art: all ways of perceiving, thinking and creating by people with different abilities (physical, intellectual, cognitive, mental, sensory, learning, language and communication skills) or functional diversity.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

The 13th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

New compositions (by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Guštar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska) for the sixth-tone harmonium conceived by Czech composer and pioneer of microtonal music Alois Hába in the 1920s and '30s, performed by Miroslav Beinhauerr, currently the only player of this unique instrument in the world, who has single-handedly revived it after decades of slumber.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

A major work by the American sound artist and composer, the culmination of three years' work inspired by nature and the animal world, introducing her voice, but also drums, into her sound palette.

An island photographic wandering (a series of photographs taken on a small island in the Aegean Sea, Kastelorizo, focusing on its hollow spaces and silent atmospheres).

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A visual, experimental research on the architectonic potential of the horizontal surface in building processes in the format of a folded manifesto. Drawings, images and texts by Jan Kinsbergen, Neven Kostic and David Klemmer.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

New monograph.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records, an album showcasing six mesmerizing and rhythmically intricate electronic compositions.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade, across eleven CDs and a DVD, accompanied by an nearly five-hundred-page book.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.