Writings, manuscripts, bibliography, index.

Monograph.

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

The architectural proposals of Gordon Matta-Clark.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A critical history of VideoArt Festival Locarno.

Xavier Veilhan's drawings.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Historical exchanges and common ground (of agreement or dissension) between literature and anthropology.

The images of exile in art history, from classical painting to the most contemporary production.

The unexplored relations between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

For the first time, this study places Marta Minujín's performance on debt at the heart of a varied and long-term iconography. This pioneering work shows how works of art can become a powerful means to refute the idea of economic neutrality and the supposed equality of its participants, thus denouncing the hierarchies and balances of power, whether military, cultural or financial, necessary for the functioning of the current economic system.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

The Art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling.

A critical and nuanced overview of the figures of the sleeping in the art and thought of the Renaissance.

An anthology of constructivist thought.

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

A collective exploration of the relationship between contemporary art and archeology.