An in-depth record of Barrada's latest experiments in the fields of color, dyeing, language, mythmaking and material culture for the French Pavilion at the 61st Venice Biennale.
French-Moroccan artist Yto Barrada (born 1971, lives and works in Paris and New York) is one of the most important voices in contemporary art today. Since the early 2000s, her multidisciplinary practice—films, installations, sculptures, textile works, publications, photographs, site-specific projects—has explored cultural phenomena and subaltern histories, strategies of resistance and disobedience, historical narratives and natural processes, the transmission of knowledge, and methods of archiving and collection. Undertaking long-term projects, often in collaboration with other artists, amateurs, and experts, she has successively focused on botany as politics and geography, the history of education, the economics of prehistoric fossils, postcolonial links between Morocco and the West, and a reinterpretation of the history of abstract pictorial avant-gardes to offer an alternative vision of modernity. The playful resources of language, the dynamics of translation, and the infinite possibilities of print occupy a prominent place in her practice.
Yto Barrada is the founding director of the Cinémathèque de Tanger.
She is
Hamid Barrada's daughter.
