Contemporary art

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Over a decade’s worth of essays: movies of America in parallax view.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

The artist's photographic view of the folk tradition that celebrates Swiss tobacco culture by introducing young children in Appenzell to smoking.

An artistic inquiry into "future nostalgia".

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A transdisciplinary reevaluation of the dialogical character of humanism.

An artist's document that sheds light on the relationship between drawing and sculpture in the work of Clément Bagot.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

Retrospective monograph.

The definitive publication on Carl Cheng's genre-defying work.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Catalogue of the 2025 Islamic Arts Biennale, combining ancient heritage and contemporary art.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

The first print edition of Daftar, the online media edited by Afikra, a platform focused on the history, debates, and cultures of the Arab world.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

The American photographer appropriates the objects that populate the Italian painter's work.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

A transversal and analytical reading of Éric Baudart's entire body of work.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

An artist's book composed of six loose A3 sheets, folded in half and assembled at random, which can be taken apart and framed, and which together form an anthology of Sam Porritt's drawings of the last twenty years.

A legendary artist's book finally reissued in an updated and revised version, Enseigner et apprendre, a truly collaborative work, provides a valuable introduction to Robert Filliou's work and his pioneering and innovative ideas on the educational dimension of artistic creation.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

British artist James Bloom uses AI to render the human body's movements dysfunctional as he generates them, and records the sequence in the form of a flip book.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

A retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

Special edition of the book Disegno Astratto, created by Henri Frachon and Antoine Lecharny, that includes the multiple "Boat, house, briefs, plane and sea lion".

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.