Contemporary art

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Over a decade’s worth of essays: movies of America in parallax view.

The American photographer appropriates the objects that populate the Italian painter's work.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Yang Yong systematically traces the titular artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.

The first monograph dedicated to the Neapolitan feminist and pacifist artists' group.

Comprehensive documentation of the Italian artist's latest works, in which he playfully explores the theme of light.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

A transdisciplinary reevaluation of the dialogical character of humanism.

An artist's document that sheds light on the relationship between drawing and sculpture in the work of Clément Bagot.

This unprecedented catalogue collects over 300 pieces reated by Adriano Costa over three decades, listed in alphabetical order—titles are a key part of Costa's works—, alongside new writing by Fernanda Brenner and Milovan Farronato, two critics who have long followed and championed the artist's practice.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

A limited edition flexi publication that combines field recordings by Robin Watkins with a suite of riso prints by Nina Canell.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

Robert Filliou's last major creation, Eins. Un. One..., embodies the humor, freedom, and radical thinking of a "genius without talent".

Conceived by American artist Laura Owens, this publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

A collection of essays and interviews reflecting on the future through the lens of artistic thought and action.

A wide selection of paintings and drawings by Margherita Manzelli from the 1990s to the present day.

A broad overview of the contemporary Mexican art scene through a series of conversations with its leading figures.

A selection of the most significant contemporary practices by Portuguese or Portugal-based artists.

Research on materials conducted by two leading figures in 20th-century Italian art, Enrico Prampolini (1894–1956) and Alberto Burri (1915–1995).

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

A comprehensive survey of Ahmet Doğu İpek's artistic journey over a decade.

An artist book providing an immersive entry point into Valentin Noujaïm's cinematic world.

142 drawings realized over a decade, addressing the commitments, obsessions, and conceptual territories that drive Jim Shaw's practice.

Reference monograph.

An artistic inquiry into "future nostalgia".