Contemporary art

The third issue of the magazine Bagarres, made of constraints and rules of the game.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

Antoine de Galbert offers a glimpse into his collection, freed from the traditional norms of art history: an immersion into his artistic universe, through a selection of over two hundred works presented without hierarchy or classification.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

Works on paper by the Belgian artist.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

An exploration of the multifaceted nature of time through the artworks of seven artists, encompassing different artistic approaches and investigations, ranging from the transformation of objects and their meanings over time and history, to the current role of artificial intelligence in the creation of images and its relationship with the visual arts, as well as the geopolitical tensions of the present day.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

Montauk Surf Journals by surfer, artist and world traveler Tony Caramanico presents a stunning selection of his art representing his 60 years in and around surfing.

The immersive, monumental paintings documented here were the first works that José Parlá created after his recovery from a life-threatening battle against Covid.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

The challenges of participatory artistic research.

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

The transdisciplinary journal continues its return around the theme of the chanson.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

A series of watercolor images of vases by the Swedish artist, printed in risography.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

Anna Oppermann, Benoît Piéron, Maria Toumazou, Coumba Samba, Kiyan Williams, Ali Eyal, Samuel R. Delany, Maryanne Amacher, Roe Ethridge, Aleksandra Kasuba...

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

First monograph.

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

Sculpture is the first monograph dedicated to the work of New York-based British artist Jesse Wine, bringing together a substantial body of work produced between 2016 and 2023.

A kino-political theory of the 21st century.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

A collective manifesto for feminist art schools.

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

An essay on the new challenges facing exhibition curators.

Artist and curator discuss the role and value of art in the 21st century, and the potential for artistic creation to contribute to the development of new knowledge.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

The musician and visual artist's new album, somewhere between folk and experimental music.

The partitions, to be activated by the reader, by Aziyadé Baudouin-Talec, Mickaël Berdugo, Jocelyn Cottencin & Olivia Grandville, Matali Crasset, Zoée Dahan, Ines Dobelle, Garance Dor, Frédéric Dumond, Diane Giorgis, Vincent Menu, Alain Michard, Aurélie Noury, Nicolas Richard.