Maghreb

Moroccan author Khalid El Morabethi deconstructs language and representations of reality with radical, uncompromising writing that clashes words together, inviting us to immerse ourselves in a poetic universe and a sensory, almost visceral experience.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

78 charcoal and pastel drawings by Adel Abdessemed.

A dialogue between the creations of two designer partners and friends.

A dialogue between the creations of two designer partners and friends.

Both an introduction to and an extension of the eponymous exhibition at the Mucem in Marseille, this catalogue offers an accessible and sensitive immersion in the richness of Amazigh culture, from the Neolithic to the present day.

A sensitive and engaged exploration of the contemporary Moroccan scene through the eyes of some thirty artists, at the crossroads of history, poetry and resistance.

An invitation to rediscover the diversity of 20th-century Arab modernism and to take a fresh look at the history of art scenes still little known in Europe, focusing on the relationship between Arab artists and Paris throughout the last century.

A dialogue between the works of fashion designer Azzedine Alaïa and design icon Shiro Kuramata.

This book accompanies the éponymous exhibition exhibition of the Moroccan Pavilion at the 19th Venice Biennale, marking its inaugural participation. Far more than a simple presentation of the scenographic installation, it provides insights into the Pavilion's central theme: construction techniques using local materials.

This book accompanies the éponymous exhibition exhibition of the Moroccan Pavilion at the 19th Venice Biennale, marking its inaugural participation. Far more than a simple presentation of the scenographic installation, it provides insights into the Pavilion's central theme: construction techniques using local materials.

As an extension of the Art Explora Festival organized in Tangier and Rabat, this publication presents the reflections of a selection of contributors invited to explore the theme of myth and its various manifestations through specific narratives and contexts, beyond Mediterranean borders.

Primarily intended as a reference work for those in charge of regenerative gardening training courses in Morocco, this ecological gardening guide, written under the direction of Carey Duncan in collaboration with the Bouregreg Med-O-Med Gardening School in Salé (FUNCI), is aimed at both professional gardeners and experienced amateurs.

Much more than a selection of interviews conducted by Moroccan journalist and intellectual Hamid Barrada, this book immortalizes a lively memory of the history of the Maghreb, the African continent and the regimes born in the wake of independence.

A multilingual, feminist and original publication edited by Kulte Éditions in Morocco, TAMO, a journal where art, history and contemporary issues intertwine, unashamedly thinks, discusses, criticizes, promotes and denounces.

A dialogue between the works of fashion designer Azzedine Alaïa and design icon Shiro Kuramata.

An essay that intellectually deepens the historically traced furrows of colonial aberrations, crossing political science, philosophy, anthropology and psychoanalysis.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

A catalogue that features a group of 20 artists from Saudi Arabia, the Middle East, the Maghreb and the international scene and explores the profound changes of a period marked by the presence of technology, the post internet era.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

Soufiane Ababri's sketchbooks.

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A collective work to highlight the unique perspective of Pierre Guyotat, one of the greatest authors of the French language and a major figure in the memory of the Algerian conflict, on the war of independence and post-independence Algeria.

A selection of original texts by Isabelle Eberhardt (1877-1904), revealing the author's sororal empathy for the condition of the Bedouin women of the Maghreb whom she encountered during her desert wanderings, dressed as a man.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

A polyphonic narrative set in France's post-colonial era, Affreville recounts family memories, as well as the shadowy corners of official history and the silence of survivors, in order to lift the veil of silence under which the Algerian war was kept.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

An artist's book gathering reproductions of charcoal drawings of bodies suspended in the empty surface of the paper (limited edition box set).

The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A large research into the first, long forgotten film by Moroccan filmmaker Mostafa Derkaoui About Some Meaningless Events (1974): a cinematographic history that sketches out a constellation of micro-histories on the cultural, artistic and political Morocco of the 1970s.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

An invitation to reflect on exile and self-building (novel).

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

Contemporary art and performative practices in Africa.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).