Morocco

Moroccan author Khalid El Morabethi deconstructs language and representations of reality with radical, uncompromising writing that clashes words together, inviting us to immerse ourselves in a poetic universe and a sensory, almost visceral experience.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

Both an introduction to and an extension of the eponymous exhibition at the Mucem in Marseille, this catalogue offers an accessible and sensitive immersion in the richness of Amazigh culture, from the Neolithic to the present day.

A sensitive and engaged exploration of the contemporary Moroccan scene through the eyes of some thirty artists, at the crossroads of history, poetry and resistance.

This book accompanies the éponymous exhibition exhibition of the Moroccan Pavilion at the 19th Venice Biennale, marking its inaugural participation. Far more than a simple presentation of the scenographic installation, it provides insights into the Pavilion's central theme: construction techniques using local materials.

This book accompanies the éponymous exhibition exhibition of the Moroccan Pavilion at the 19th Venice Biennale, marking its inaugural participation. Far more than a simple presentation of the scenographic installation, it provides insights into the Pavilion's central theme: construction techniques using local materials.

As an extension of the Art Explora Festival organized in Tangier and Rabat, this publication presents the reflections of a selection of contributors invited to explore the theme of myth and its various manifestations through specific narratives and contexts, beyond Mediterranean borders.

Primarily intended as a reference work for those in charge of regenerative gardening training courses in Morocco, this ecological gardening guide, written under the direction of Carey Duncan in collaboration with the Bouregreg Med-O-Med Gardening School in Salé (FUNCI), is aimed at both professional gardeners and experienced amateurs.

Much more than a selection of interviews conducted by Moroccan journalist and intellectual Hamid Barrada, this book immortalizes a lively memory of the history of the Maghreb, the African continent and the regimes born in the wake of independence.

A multilingual, feminist and original publication edited by Kulte Éditions in Morocco, TAMO, a journal where art, history and contemporary issues intertwine, unashamedly thinks, discusses, criticizes, promotes and denounces.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

Soufiane Ababri's sketchbooks.

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A large research into the first, long forgotten film by Moroccan filmmaker Mostafa Derkaoui About Some Meaningless Events (1974): a cinematographic history that sketches out a constellation of micro-histories on the cultural, artistic and political Morocco of the 1970s.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

Artist's book.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A collection of thoughts, fragments and poems set in a prose text, between the newspaper, written from day to day, the essay and the autobiography.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

Reference monograph.

Collection of poems.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Ymane Fakhir's project “The Lion's Share” combines sculptures, video, photography, and text, to narrates the story of a bereaved Muslim family and their share of the inheritance. An algebra lesson in which the Moroccan artist examines the place of women in the Muslim family—and beyond.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

Photographic companion book to the film La controfigura (“The stand-in”) by Rä di Martino: the tale of a cinema troupe in Marrakech trying to shoot the remake of The Swimmer, the 1968 film with Burt Lancaster, based on a short story of the same name by John Cheever.

Box set gathering 2 books / DVDs and one book.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.