Women (female artists)

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

First monograph.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory presents over 140 photographs, many previously unpublished, in a single definitive volume.

Claire Tenu's photographic landscape studies.

Claire Tenu photographs the apartment-artwork of a friend and artist in Warsaw, furnished entirely with shopping carts from a home improvement store and tires.

The first catalogue raisonné of a Lettrist artist: a comprehensive collection of the 464 works (paintings, objects, multiples, works on paper) produced by Maggy Mauritz (born in 1941)—a pioneering artist in graffiti art and Lettrism—over more than six decades, featuring approximately 600 color illustrations.

Beneath the dome of the Bourse de Commerce – Pinault Collection, within Tadao Ando's concrete cylinder, Fujiko Nakaya's Fog Sculpture appears as a landscape of mist drifting beyond the Rotunda's boundaries – thickening and dispersing in response to shifting air currents and visitors' movements.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 risograph prints, an 8-page booklet, and a postcard).

Anniversary issue celebrating Mousse's 20th anniversary.

An investigation by the Italian artist into obstetric violence, drawing on her family history.

Published on the occasion of Nilbar Güreş's exhibition presented at the Türkiye Pavilion during the 61st International Art Exhibition of La Biennale di Venezia, this volume explores themes of the body, space, belonging, migration, and subtle transformation.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

Salomé Lamas' selected works from 2017 to 2025.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

Artist Julie Vayssière explores the potential of a list of words taken from a dictionary.

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

First monograph.

Eroticism and sexuality in Marina Abramović's work.

The catalog accompanying the provocative performance installation by Austrian artist and choreographer Florentina Holzinger, presented at the 61st Venice Biennale.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

On the occasion of Megan Francis Sullivan's solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project's production and reception.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.