Women (female artists)

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

The first book dedicated exclusively to the female protagonists of Latin American electronic music.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

A collective manifesto for feminist art schools.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

The musician and visual artist's new album, somewhere between folk and experimental music.

A poetics of perception, between sculpture, architectural installations and photography.

Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

A drawn collection of lighters that the artist borrowed while lighting a cigarette.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

A 20-year retrospective of Cindy Wright's paintings, blending photo-realism with detailed, painterly techniques.

A book of poetic texts by the performance artist, choreographer, musician and writer.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

First monograph.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

Drawing from Lisa Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

Bridget Mullen's "Birthday" series of intimate-sized paintings expressing emotions through abstracted figures and features, with a conversation between the artist and Lucas Blalock.

Australian composer and clarinetist Aviva Endean has developed an impressive capacity for creating work that merges intense control (of breath, of instrument, of composition) and a willingness to allow the music to lead. On Moths & Stars, her second solo work, she charts out a sound world that is equal parts timbre and tone, placing sounds relationship to space as a paramount focus for her pieces.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

Reference monograph.

Reference monograph.