Art & document / documentation / documentary / archive / conservation

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

Peter Piller's peripheral excursions around Bremen.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

How to teach art / can we become an artist?

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

First monograph.

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

An investigation into the history of Chilean medicine, by the Italian artist and filmmaker.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

The complete edition of Takashi Homma's acclaimed homage.

The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.