The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and
Carla Lonzi, curators and art critics, as well as
Seth Siegelaub
Marie Adjedj holds a PhD in art history and teaches at the
European School of Art in Brittany (EESAB), Quimper. Combining art history, exhibition history, and art criticism, she studies the political issues in art as they have been formulated since the late 1960s.