An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

Hyperrealist photographer of California skateparks Amir Zaki's new monograph covers twenty-plus years of photographic work, including an essay and interview.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

Autobiography by Jacopo Benassi is a series of self portraits taken during the night, during the lenght of a dream, described by the artist in the first page.

20 proposals for the intersection of artistic practice and research in academic milieu.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

The culinary performances and installations of the Japanese artist based in Paris (book printed in fluorescent pantones).

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Retrospective monograph.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

Two rare historical recordings (1983 and 1986) by the godfather of Dark Ambient, originally released as single sides and gathered here for the first time.

An account of the Paris Commune by Louise Colet, the great 19th-century author and Flaubert's famous mistress, who makes her political, republican, anticlerical and feminist positions explicit here.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

The third issue of the critical review Dixit in which the words of the architectural practice OFFICE Kersten Geers David Van Severen and the Brussels artist Richard Venlet confront each other around the theme of "Still Life".

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

The new solo work of the French musician Pascal Battus: four pieces composed exclusively with cymbals, producing different types of resonances and as many sound expanses.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

A remake of Pieter Brueghel the Elder in the form of an artist's poster/book to unfold (and perform).

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

A book of interviews with Sylvère Lotringer.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

Giovanni Di Domenico adds another superb piece to his prolific discography with the first of his works to ever feature voice and language as foregrounding elements.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

A portrait of the Swiss architect-designer couple that reveals their intimate universe and their relationship to art.

The relation between being and acting and the principle of anarchy in the philosophy of Martin Heidegger.