The first reference monograph on Marie Cool Fabio Balducci, this publication offers a thorough overview of their singular practice and critical work.
Edited and introduced by Laurence Schmidlin
, curator of the artists' exhibition at MCBA Lausanne, the book includes a comprehensive repertoire of their actions since 1995 as well as three essays by curator and writer Pierre Bal-Blanc
, Hammer Museum Chief Curator Cornelia H. Butler Butler, and art critic and curator Adam Szymczyk.
Published on the occasion of the solo exhibition of Marie Cool Fabio Balducci at the Musée cantonal des Beaux-Arts, Lausanne, in 2022.
Since de 1990s, Marie Cool Fabio Balducci (born 1961 in
Valenciennes, France, born 1964 in Ostra, Italy, live and work in Paris
and Pergola) have been developing—under a double name voluntarily without conjunction—an unclassifiable body of work between sculpture
and live practice based on short, often repetitive actions carried out at first only by Marie Cool, but later also by others in confined spaces (studio, exhibition space) using common objects from standard work environments
(sheets of A4 paper, adhesive tape, pencils, office tables) and natural elements such as water or sunlight. Carried out in silence, these actions take the form of simple gestures and short interventions: moving pencils at a regular rhythm, holding two sheets of paper against each other, pouring a bottle of water on a desk, or following the sun reflected by a glass. The themes of ownership, precariousness, and the subjection of the body to the material world underlie their rigorous and modest work. Their practice has recently taken on an installative dimension in relation to the exhibition space, thus offering the audience a space for exchange and reflection in relation to the stakes of today's society and the experience we make of it.