Art & labor

How art and the artist inspire business: an examination of the origins of this relationship from Joseph Beuys and Andy Warhol.

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

Retrospective monograph.

The purpose of this issue "Experts / Non Experts. Participative Knowledge Construction in Popular Music: Controversies and Historiography" is to offer a retrospective and critical reflection on popular music studies' initial vocation, to bring to light repertoires that are seldom studied and even sometimes discredited.

A critical examination of the Studio Experimentelles Design's politically and socially committed approach, questioning the social implications of design as well as the working conditions of designers today.

Thirteen artists were invited to reflect on the change of labor in the contemporary context.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.

Issue dedicated to music as work.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

The musical adaptation of Joseph Ponthus' eponymous book by Michel Cloup (Diabologum), Pascal Bouaziz (Mendelson, Bruit Noir) and Julien Rufié (Michel Cloup Duo), between rock, reading, chanson and electronics.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

This diary traces the artist's journey in search of a permanent job, combining notes and visual documents. The publication is the second in a series of autobiographical narratives by Sell.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.

A documentary fiction depicting the abstraction of tools and management and consulting.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

The itinerary as an artistic, architectural, territorial and social experience.

Reference monograph.

This catalogue surveys the literature on our relationship to a world of machines, new technologies, and electronic devices. It brings thoughts on automation and its promises, primarily the end of labor. The publication unfolds a bibliography and chronology on the subject.

A reflection on history and the historical document, based on the chronicles of a village written in the 19th century by a Walloon worker.

This publication is charting the Allan Sekula's research into and investigation of the oceans. It intersperses essays from scholars, historians, and thinkers with a selection of the artist's seminal texts and excerpts from his private notebooks.

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

An account of a three-year research program focusing on working women's struggles in Britany: the publication provides an overview of the studies and artworks produced within the framework of the program, as well as extracts of lectures and a set of original archives.

The second volume of the design research journal devoted to work and its mutations.

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

The first volume of the design research journal devoted to work and its mutations presents a collection of texts by the philosopher Pierre-Damien Huyghe.

A multidisciplinary investigation dedicated to the cultural representations of coal mining, gathering contemporary artworks, poetry, essays, literature, folk songs, and archival images.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

New Ways of Doing Nothing highlights artistic gestures challenging today's inclination towards productivity and growth (with Robert Breer, Claire Fontaine, Mathias Delplanque, Marina Faust, Ryan Gander, Karl Holmqvist, Jiří Kovanda, Superflex, Mario García Torres...).

An anti-method of meeting that reaffirms the uncertain outcome of gathering moments.

Datumo! recounts a quantification experiment lead by Julien Prévieux and based on the gazes of an audience watching artworks.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.