The last album, posthumous, of Ghédalia Tazartès: a melting pot of unreleased tracks which cover a large part of his career.
Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites (indexes have been made on the CD for a more convenient listening) . This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces had not already been published, processing the sound to obtain an aesthetic unity and a coherent order, etc). This record is therefore a melting pot of unreleased tracks which cover a large part of his career. You can hear a few guests perform on some of the tracks (mostly vocals parts). As for the lyrics, apart from Ghédalia's own personal poetry, he wrote music for two texts by different poets, that he performs himself in a more or less comical way or on the contrary very intense (the final on a text by Antonin Artaud
During an art exhibition in 2018, Ghédalia really loved a series of photographs by Isabelle Magnon and immediately asked to use them for the cover of a future album. It is therefore these three photos (two for the LP version) which illustrate Ghédalia Tazartès' final album.
French cult artist with an uncompromising character who defied categorization, Ghédalia Tazartès (1947-2021) recorded alone more than 20 albums, calling his Art "Impromuz" for lack of a better term. Before the years 2000s, his public appearances remained exceptional events. Ghédalia Tazartès' music has always been a mystery. It switches from musique concrète to - existing or invented - ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent. In 2004, Ghedalia finally decided to do live performances again. He first worked with other musicians (Les Reines d'Angleterre, David Fenech & Jac Berrocal
& Black Sifichi, Nicolas Lelièvre) then went solo for ten years. Since then Tazartes has played many shows across Europe including a show in the Patti Smith exhibition at Fondation Cartier in Paris and a cinemix to the "Haxan" silent movie in 2008. In 2018 Ghedalia decided to stop playing solo and to collaborate with other musicians again: Maya Dunietz, Rhys Chatham
, Chris Corsano and Dennis Tyfus, Quentin Rollet
and Jérôme Lorichon.