An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

MacLise's early electronic music.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

Facsimile of a book of drawings made between 1979 and 2010.

A collection of 38 short, self-contained episodes (artist's book).

300 drawing by Portuguese artist Gonçalo Pena.

The reissue of the Manifesto of Futurist Musicians (written in 1911), in which the Italian composer, musicologist and ethnographer Francesco Balilla Pratella (1880-1955) explains the "violent and absolute principles" of a futuristic music which inspired Luigi Russolo's The Art of Noises.

Jean Epstein's complete writings.

Artist's book (limited edition).

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

The meaning of performance and performativity today.

A manifesto to reestablish a social and aesthetic dialogue between visual art, pedagogy, and psychology, philosophy, critical journalism, etc.

Retrospective monograph / artist's book.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Monograph / catalogue of two parallel exhibitions.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

Carl Andre's poems (retrospective monograph).

Retrospective monograph.

The first-ever comprehensive publication dedicated to the prints of Richard Tuttle (retrospective monograph).

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011.

A series of essays and close readings of Steyerl's films from the past ten years.

The second issue in the “Poetic Series”, initiated by Keren Cytter, takes its title Peacocks with Hiccups from the poetry of Berlin-based artist Karl Holmqvist, whose work is featured alongside American poet Catherine Wagner and emerging Spanish writer Luna Miguel, with artwork by Koo Jeong-A.

Somewhere between Hieronymus Bosch and Roald Dahl, Amandine Urruty's frescoes picture a particularly rich wonderland inhabited by anthropomorphic animals. A graphite virtuoso, Urruty uses sfumato technique with abundant details to form her baroque & bubblegum universe.

Artist's book.

Twenty-five years of design.

New monograph.

Jacopo Benassi's collection of eroticized slippers (artist's edition—10 booklets in a handmade wood box set).

Twenty-six serigraphs by the Dutch graphic designer.

The first Luigi Russolo's intonarumori complete reconstruction ever attempted. Some of the Russolo instruments have been reconstructed here for the first time.

Historically important pieces documenting John Cage's early electronic and tape practice.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

In thirty-two pages, Pierre Cecile tells his (fictional?) discovery of Sonic Youth's music.

Ten texts written by Peter Wächtler between 2011 and 2013.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

First major publication on Ed Atkins' work.