Twenty-six serigraphs by the Dutch graphic designer.

The first Luigi Russolo's intonarumori complete reconstruction ever attempted. Some of the Russolo instruments have been reconstructed here for the first time.

Historically important pieces documenting John Cage's early electronic and tape practice.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

In thirty-two pages, Pierre Cecile tells his (fictional?) discovery of Sonic Youth's music.

Ten texts written by Peter Wächtler between 2011 and 2013.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

Artist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

First major publication on Ed Atkins' work.

The first survey of Ariel Pink's lyrics.

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

The first catalogue raisonné of editions and multiples by Matt Mullican.

A collection of 80 images, selected by eight artists and eight curators, dedicated to the identification and construction of a personal and collective imaginary, in tribute to Aby Warburg's lecture on Serpent Ritual.

A series of 365 cartoon drawings, made daily in 2012, exploring philosophical thoughts concerning art, being, knowledge, logic and skateboarding.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

A subjective lexicon, proposing keywords for contemporary publishers and book freaks.

This extra large square format publication gathers 180 portraits of disreputable creatures by 180 artists... (United Dead Artists' exhibition catalogue).

A series of speechless strips made in Indian ink describing absurd warfare conflicts set in bucolic landscapes.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

Three new series of paintings depicting the artist's current concern with mortality and legacy.

An introduction to robotic art in twenty installations and performances. The catalogue includes a brief history of the artist and the robot's relationship by Austrian curator Gottfried Hattinger.

Schlecker by Rafa Castells displays a selection of pictures documenting the artist's day-to-day life. This first monograph also stands as an aesthetical essay on the symbolic effects of light and colour—offering a luminous discourse on photography and life.

Each issue of Gong! gives carte blanche to an artist to appropriate the space of the magazine. For its first publication, Gong! invited illustrator and fanzine publisher Mirena Ossorno.

Built as a black-and-white film sequence, this first monograph dedicated to the artist includes preparatory sketches, unpublished pictures, critical essays and an interview retracing the artist's work, with a focus on a 2012 site-specific installation Before Night Falls at MAXXI.

An inventory of Lutz Bacher's works from 1975 to 2013.

Theoretical reflections and insights into alternative artistic working models.

The first in-depth survey of Duarte's practice, and the first time that a selection of his poems and texts have been translated into English.

Picture disc by Jean-Luc Verna's band.

Artist's book.

This set of cards features 50 drawings by Masanao Hirayama, each of them printed twice. It can be played as a memory game, or as the Japanese card game Karuta, or simply as a game with your own rules.

A collection of poems inspired by the Greek mythological figure of the female sphinx.

An octagonal artist book.

First translation into French of the short story by Edward Page Mitchell—a major figure in the early development of the science fiction genre—, written and published unattributed in the NY Sun in 1879.

A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

The Atlantis Search Engine, the first edition in the Poetic Series, features a selection of poetry and prose by Matthew Dickman, Roman Baembaev, Josef Strau, and drawings produced specifically by John Kelsey based on the film The Canyons.

First ever sound-edition by famous Swiss sculptor and conceptual artist Roman Signer. Recorded 1982 in the River Steinach, St. Gallen, Switzerland.

A tribute to the French artist Jean Dubuffet (1901–1985) and to the typographic strategies with which Dubuffet achieves, on a visual level, his plan to destroy language through books and lithographs.

Artist's book.

First monograph.

The series of drawings from “Le lac sombre” (“The Dark Lake”) were inspired by an episode from La Peste Brune (The Brown Plague), a written account of Germany in the Thirties by french writer, theorist and activist Daniel Guérin. There he described his encounter with the Wild Boys, a group from the “Wandervögel” movement, a libertarian youth community which crossed Germany and its history from 1896 to 1936.

The art of filming.

Artist's book (12 paintings by Elizabeth Peyton).

Cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it.