Discrepant

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.

Robert Millis' first album with the Discrepant label explores his obsession with hidden sounds and its anomalies.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

On his Discrepant debut memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name—Pruning—following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong.

A new revelation into the deeply personal soundworld of a true voyager of both ancient, present and forthcoming times.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

Ergo Phizmiz creates a time loop with his ambient recordings made two decades before the memefication of ASMR videos.

More than two years after the release of "Impressões de Outra Ilha", Discrepant's head honcho returns home under his birth name with the appropriately titled "Exotic Immensity". Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities.

Lisbon-based travellers Jibóia return to the Discrepant label with a new offering of globetrotting psychedelia.

Continuing his fruitful relationship with Discrepant, Tiago Sousa returns with two longform pieces for organ.

The long running vessel for Cameron Stallones' psychedelic excursions, Sun Araw, returns to Discrepant, using hydrophones and digital synthesis.

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

Centered around the Villa Aurora Organ, an intriguing and mostly unknown instrument built in 1928/29 by the Artcraft Organ Company in Santa Monica, California, "Outerlands" presents a deeply personal approach to the instrument's particular properties, very much in line with Discrepant's ethos.

Presenting the second thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities, Discrepant introduces an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien. This volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Australia, to the south west.

Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of "Panorama".

Repress of the Lebanese trio's 2014 album, born from Raed Yassin and Charbel Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, disassembling and re-configuring the work and style of the iconic guitarist's innovative take on Arabic music.

Lisbon based keyboardist João "Shela" Pereira's new strangely haunting album.

More than a decade after the release of "Land Lines", the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with "Atheistsaregods".

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

8 years almost to the day after releasing his unique re-interpretation album of his field recordings made in the late 90's in Tanzania, Kink Gong is back with another volume of bushmen madness.

Sophomore album from Tenerife based trio Lagoss (Gonçalo F. Cardoso, Mladen Kurajica and Daniel García), moving away from their megamix vignette based first volume to experiment with a more song based approach whilst still keeping their trademark jam infused tropicalia and electronic freak outs with an offering to their 1970's sci-fi masters.

Lagoss (comprised of Tenerife based veteran producers Gonçalo F. Cardoso, Mladen Kurajica and Daniel García) and Banha da Cobra (Lisbon-based musicians Mestre André and Carlos Godinho) introduce the first volume on the "Aquapelagos" series—a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

Marc Codsi’s new Arabic infused synth oriented album.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

An anthology introducing the first of a series of albums based on the concept of "aquapelago", with Sugai Kei, Andrew Pekler, Mike Cooper, The Dead Mauriacs, Babau, Vica Pacheco, Yannick Dauby, Sculpture, Francesco Cavaliere and Tomoko Sauvage.

Marking an important step in the discography of the Portuguese musician, Oeste A.D. is crossed by a nostalgic impulse, between a nod to the theme of the Expo 98 in Lisbon and a tribute to the best productions of Fennesz and Black Dice in the early 2000s.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

Loopworks 2 expands Istanbul based audio/visual artist Kantarcioğlu's sampling pool to Turkish records as well as snippets from 70's TV and 80's new age and jazz tapes. This disparate material is mangled and glued together with Koray's very personal sampling techniques.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

An impressionistic and dreamlike sound portrait of the island of Borneo.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

An eclectic musical journey through Latin American experimentalism.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Penghu Experimental Sound Studio Vol.2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick Dauby's impressions of Penghu island's natural beauty.

The final chapter of Discrepant's Anthology of Atypical Portuguese Music, a series of volumes focussing on new strains of Portuguese music with an (un)characteristic foot in the past musical traditions of the country.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.