BOM DIA BOA TARDE BOA NOITE is a publishing house based in Berlin and Mexico City, founded in 2010 by graphic designers Manuel Raeder and Manuel Goller, specialized in high quality monographs and artist's books.
Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.
New edition of an artist's book first published in 2009, gathering essays,
short stories and images (leporello ). The publication reflects the artist's long-term critical
interrogations on archives,
historiography and institutions.
This artist's book / leporello gathers reproductions of artworks from the permanent collection of the Museum Ludwig, drawing out resonances between the disparate works.
This diary traces the artist's journey in search of a permanent job,
combining notes and visual documents. The publication is the second in a
series of autobiographical
narratives by Sell.
Conceived on the occasion of two exhibitions at CA2M Madrid and CRAC
Alsace, this catalogue features extensive documentation and collages
of the artist's evolving works as well as essays by the show's curators,
Elfi Turpin and Daniel Steegmann Mangrané.
A companion guide to Beutler's site-specific installation practice
classifying each of his works according to the components, tools, and
production methods used to create them.
First monograph: American artist Eamon Ore-Giron's hard-edge paintings
combine Native American traditions and European abstraction. This
publication offers a dialogue between his ongoing Infinite
Regress series and the prose of poet and scholar Edgar
Garcia.
This publication presents an extended interview with the French architect
Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin
Seror that took place between 2013 and 2015. It features
a wide selection of drawings by Parent.
This artist's book is a written rendering of monologues included in The
Zone, a performance based on a series of narratives staged within
the exhibition space of the Iberê Camargo Foundation in Porto Alegre in
2018.
This autobiographical novel describes the author's esoteric quest and
involvement with a shaman in the hope of saving his mother, diagnosed with
terminal cancer.
This catalogue documents a research and exhibition project
stemming from a fieldwork conducted by the artist on a
palaeontological site in South Australia.