An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

A decade (1969-1978) of observation, classification and illustration of the abusive vegetation infesting the grounds of the international railway station in Chiasso, Switzerland, by botanist Ernesto Schick.

At the heart of this book is a solo exhibition of the work of M'barek Bouhchichi in Rabat, and the artist's first attempt at directly confronting the wound of growing up black in Morocco. With contributions by an anthropologist, a filmmaker, and a writer from Africa, this volume puts recent transformations of Moroccan society into perspective. Beyond studying inequality and spatial segregation, what is at stake is the possibility of transfiguring the stigma of racism through art and research.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

Life on the inside is a limited edition of an audio companion to French sculptor Pierre Besson's exhibition at Le Carré in 2014—an excellent addition to the David Toop discography of any wide-ranging ambient fan.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Fifty verses by New-York musician Moondog.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

This collective work aims to demonstrate the relevance of today's popular music in contemporary political action through eight international case studies.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

Built by the design collective Metahaven, the project Black Transparency questions how information is organized globally and what role the concept of transparency occupies within it. This book engages transparency's junctions with design, architecture, and pop culture through Metahaven's research on technology, structures of information, networks and the Internet.

Based on an exhibition and conferences that took place in 2012 at the Academy of Fine Arts Vienna, this volume expands on the issues raised by queer art practices through interviews, essays, collages, as well as personal and academic texts.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

Paloma Lanna narrates the first year of her brand Paloma Wool during which she has collaborated with some of Barcelona's most relevant contemporary artists and photographers.

Catalogue.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

Monograph / artist's book.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

An account of Lutyens' long-term Hypnotic Show at Documenta 13 in 2012.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

Nieves reissues Frank Asch's famous children's book, originally published in 1972.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

A fluid narrative of Lacaton and Vassal's oeuvre based on the duo's lecture at Harvard University in 2015.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law–based economies. It attempts to shift practices of thought toward both critical realism and new materialism.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

A look at contemporary visual culture and how it has been progressively mutating towards models where seemingly opposite dimensions come together to create hybrid forms: material and virtual, textual and objectual, organic and artificial, consumerism and spirituality have been merging and blurring previously defined boundaries (catalogue).

A sound installation and collaborative project with a survival station for the homeless in Cologne (color vinyl, with David Sylvian, Demdike Stare, Pye Corner Audio, Pluramon...).