This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

This March in Artforum Chloe Wyma on the art of cover artist Agnes Pelton, J. Hoberman on Corneliu Porumboiu's The Whistlers, Hannah Black on Kandis Williams, plus Alex Jovanovic introduces an artist portfolio from Chason Matthams, James Meyer on Hans Haacke and exhibition reviews from Paris, Stockholm, Doha, Moscow, and more. 

The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

Another pictureless, pocket-size book by Beni Bischof in his series. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

An anthology of Claire Fontaine's texts.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

A collection of photographs of former border regions around the globe and down through the course of human history.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

A return on Mark Geffriaud's film installation (artist's book).

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The performative aspect of the British artist's practice in the form of scores, transcriptions, and photographs (limited box set edition).

This publication presents an extended interview with the French architect Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin Seror that took place between 2013 and 2015. It features a wide selection of drawings by Parent.

Conceived on the occasion of two exhibitions at CA2M Madrid and CRAC Alsace, this catalogue features extensive documentation and collages of the artist's evolving works as well as essays by the show's curators, Elfi Turpin and Daniel Steegmann Mangrané.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

A conversation about Ergonomic Futures, Tyler Coburn's furniture for humans to come.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice, this anthology provides new insight into the analysis of things in a curatorial context.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

The 18th issue of the French magazine for ambient & experimental music revolves around the theme of wild sounds, the singing of the waters, the forest and the night, with William Basinski, L.M. Riek, Jana Winderen, Troum, Yannick Dauby, Thierry Weyd, O Yuki Conjugate, Marc Namblard, Cédric Peyronnet, The Cure, Coil, Michael Begg, Maninkari, Bass Communion, The [law-rah] Collective, B.L. Boysen (with a 13 track CD included).

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.