This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

L'écho / ce qui sépare documents a personal and collective exhibition commissioned by Bruno Peinado where young artists were invited by Peinado to display their works with his own, thus reflecting the notions of space and network within the art field.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

New monograph.

First monograph.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

This volume brings together essays on the German writer W. G. Sebald (1944-2001), iconographic documents and manuscripts of the author, and a script written by Sebald for a film ever made about the life of the philosopher Ludwig Wittgenstein.

Discourses, reflections and documents on performative and choreographic arts today.

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

Postcards from Home documents the encounters between Roc Herms and several different avatars during his years of participation in a virtual world created for Playstation 3.

Music for two prepared pianos (Erik Griswold & Anthony Pateras) and electronics (Robin Fox) without precedent.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

Following an invitation by an organization in Ardèche, Denicolai & Provoost conceived a temporary and contextual project around issues of ownership and use of the natural landscape. By migrating their project to Paris, they extended its history into the urban realm. This book documents the Parisian stage.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

This volume presents the results of the Resò International Art Exchange program which seeks to comprehend the role and influence of evolving geography and residency on artistic practice.

Datumo! recounts a quantification experiment lead by Julien Prévieux and based on the gazes of an audience watching artworks.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

New monograph.

First monograph.

Sicilia Bambaataa is a booklet, risograph printed, which documents the namesake installation, a “soundscape” within the Museo Civico in Castelbuono, Sicily which plays in loop, repeating the audio recording of the dawn chorus, slowly diminishing as the city awakes.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.

This broadsheet publication documents and extends the investigations initiated during the first edition of Screamscape, an informal international institute of creation and research on screaming.

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

New monograph.

New monograph.

New monograph.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

A collective publication examining Rousseau's legacy through the ages, from the Revolutionaries of 1789 to environmentalists, musicians, educators, Socialists, Resistance fighters, Romantics… Each chapter is accompanied by a visual essay featuring archives and recent documents.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

One year in the art world: Art Basel's official annual publication, “Art Basel | Year 45” captures and documents the 2014 shows in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors, and museum directors. Immersive, insightful, and art, art, art.

The first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy.