Beautiful reissue of the 2000 album on FBWL, guitar ballads about Day, Evening, Night and Dawn, a major album in the discography of Loren Connors, which he considers his most personal record. Remastered in 2014 by Taylor Deupree at 12k.

The complete works of one of the pioneers of Belgian early electronics.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Don Cherry’s New Researches featuring Naná Vasconcelos.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

The final chapter of Discrepant's Anthology of Atypical Portuguese Music, a series of volumes focussing on new strains of Portuguese music with an (un)characteristic foot in the past musical traditions of the country.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

The soundtrack from Chris Marker's Sci-Fi short drama "La Jetée".

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

Yann Gourdon's new album (hurdy-gurdy) continues his exploration of places and their history through sound.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

In Un homme sensible, Octave Mirbeau tells the story of a murderer who, in the name of world harmony, is determined to rid the world of "all organisms unfit for a strong and harmonious life". This inspired Nurse With Wound, which, as an illustration, gives us here a new piece of unpublished music.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the remastered soundtrack in the vinyl and CD formats, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

A somnambulant modern masterwork, Kali Malone's 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies co-released by XKatedral and Bleak Environment.

A tribute to William S. Burroughs.