This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.

A sound installation and collaborative project with a survival station for the homeless in Cologne (color vinyl, with David Sylvian, Demdike Stare, Pye Corner Audio, Pluramon...).

New picture disc by Jean-Luc Verna's band.

This project stages the collision between the book Walden or Life in the Woods by Henry David Thoreau (1854) and the mission of Mercury Seven (1958) sending men to space. It is a polymorphic work, evoking the questions of autonomy, isolation, solitude, but also contemplation and enlarged perspectives through music and live performance with modular synthesizers.

This third Art Zoyd cult album was no more available since years. Re-released with a new artwork and additional track.

This third Art Zoyd cult album was no more available since years. Re-released with a new artwork.

An anthology of the work of a key composer of Belgian electronic music (color vinyl).

The complete work (unreleased for the most part of it) by a key composer of Belgian electronic music.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen (LP version mixed by Lawrence English).

A concrete / post-digital oratorio in 5 parts.

A text by André Salmon on French anarchist Léon Léhautier, accompanied by a mini-CD containing a piece by Nurse With Wound, Close to You.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

First vinyl release of a classic from Sub Rosa's catalogue.

During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, giving at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.

Red Bird was composed between 1973 and 1977, using the studio of the University of York Music in UK. Wishart's compositional interests deal mainly with the interpolation by technological means between the human voice and natural sounds.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

First of two volumes of the “Movement Building” series, dedicated to Gabriel Saloman's music for contemporary dance.

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

MacLise's early electronic music.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

The first Luigi Russolo's intonarumori complete reconstruction ever attempted. Some of the Russolo instruments have been reconstructed here for the first time.

Historically important pieces documenting John Cage's early electronic and tape practice.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

Fear Drop #17 is dedicated to glacial sounds, between field-recording and music (featuring T. Köner, J. Winderen, A. Tedeschi, K.Schulze, Troum / A. Baker, J. Hudak et S. Mathieu, L. English, Øe & E. Coniglio, Materia Aurora, SleepResearchFacility, L. Marchetti, Tünel, M. Mantra, Penumbra, Lull, Biosphere, Galati, Parhelion, Netherworld, M. Namblard, D. Quin, J.F. Laporte, C. Olan; 55 historical recordings of Inuit music...). With a 10 track CD included.

Picture disc by Jean-Luc Verna's band.

First ever sound-edition by famous Swiss sculptor and conceptual artist Roman Signer. Recorded 1982 in the River Steinach, St. Gallen, Switzerland.

The ideal funeral soundtrack (16 previously unreleased tracks by Arnaud Maguet, Cocoon, Robert Hampson & Sébastien Roux, Norscq, Gerome Nox, Paradise Now & Gerard Malanga, Rainier Lericolais & m-o-r-s-e, Scanner, Black Sifichi, Simon Fisher Turner, Coil...).

Interviews with Jean-Marie Straub & Danièle Huillet conducted and recorded by Thierry Jousse.

Reissue of Bernard Parmegiani's masterpiece (1975), considered as a milestone in the history of music, an absolute classic of electroacoustic music.

Issue zero of the zine edited by Jacopo Benassi et Federico Pepe (Le Dictateur): a series of photos taken by Benassi during an evening of performances and concerts at Btomic in La Spezia (Kinkaleri, Six Organs of Admittance, Julia Kent, Little Annie, Jochen Arbeit...), with an audio CD of Jochen Arbeit's performance, and an interview with Einstürzende Neubauten's guitarist.