This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

First comprehensive monograph on Swiss artist Raphael Hefti (book printed by the artist himself with a specific technique making each copy a unique object).

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

Silent Blocks considers two point of views on the Covid-19 pandemic and the way it is dealt by Western countries during the lockdowns of spring 2020. First, Myr Muratet's photographs in a silent Paris. Then, the thoughts of Canadian science journalist David Cayley, based on the work of philosopher Ivan Illich.

A poem written by the artist for the space of the book composed only of punctuation marks.

Three three pinhole photographic series by the Venetian artist who explores the possible interactions between artistic and scientific languages.

First publication of the essay of the Spanish architect Elisa Valero Ramos.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.

Nine interviews with the artists exhibited in the Geneva art space Forde between 2018 and 2020.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

A subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Issue dedicated to the work of Jean-François Bory.

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century (new edition).

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

The seventy-three sonnets, unpublished in French, written by Walter Benjamin in memory of his friend Fritz Heinle, a poet who committed suicide at the age of 19, in despair or in protest against the advance of the First World War (bilingual edition).

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The deep political and moral ambiguity attributed to the maritimeelement in Western philosophical and literary imaginaries.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

A new kind of queer art writing.

Ted Dodson's thoughtful and experiential second collection of poems.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

A split LP featuring two complementary experimental sound performances.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.