The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

A series of paintings by Swiss artist Emil Michael Klein.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

Andrew Berardini journeys into the heart of the work of conceptual artist Danh Vo to discover how historical forces find form in our individual lives.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

This seventh and penultimate installment in the series Henri Pousseur had programmed around his experimental and electronic music features his earliest works—his first steps—starting in 1954, when at twenty-five he composed his first piece of electronic music in the studios of the Cologne radio, where Stockhausen had created most of his famous pieces.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

Projects, texts, visual essays and conversations with about thirty international artists, curators, critics and authors: Zoe Williams, Kynaston McShine, the exhibition as poem by Jean-Max Colard, Haim Steinbach's POP UP section investigation, visual projects by Slavs and Tatars and Puppies Puppies, Andra Ursuta, conversation between Simon Denny and Hans Ulrich Obrist, Cécile B. Evans, Emily Roysdon, Melanie Matranga...

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

New monograph.

First monograph.

An exegesis of My Bloody Valentine's noisy pop masterpiece Loveless.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Book of Air is a series of bundled compositions exploring the parameters of sound and time. Their first reseale Fieldtone is a beautiful “acoustic ambient” / dark jazz four-tracks recording inspired by the musicality and silence of nature.

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Fifty verses by New-York musician Moondog.

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Robert Longo, Vanessa Beecroft and Katy Grannan on the notion of “superimages”, cult magazine Colors, Neïl Beloufa, Isa Genzken, Louisa Gagliardi, Jon Rafman, Josh Kolbo, Gaea Woods, interviews with curator Pierre Bal-Blanc, design studio Vier5, Isabelle Graw, and the Printed Matter team, the social role of art, sexual politics, Carson Chan in conversation with Nik Kosmas, Matt Copson, Kenny Scharf, Sylvie Fleury, a collectable poster of David Bowie by Scott King...

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination? (an illustrated philosophy book for children).

A collection of previously unpublished texts by the French philosopher.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

Japanese fashion designer Issey Miyake, Marina Pinsky's sculpted landscapes, Diller + Scofidio, Emilio Prini, Charles Harlan, Kathe Burkhart's “Liz Taylor Series”, the “networked exhibitions”...

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

Dector & Dupuy's artistic research focuses on the city as a space for improvisation and vanishing lines. This retrospective monograph listed in alphabetical order comes with an additional publication—the first issue of the duo's periodic SONG.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.