An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

An in-depth ex-post reflection on Documenta 14 by one of its curators, Pierre Bal Blanc, with the contribution of Adam Szymczyk.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

The catalogue of the 12th Biennale Internationale Design Saint-Étienne.

Published on the occasion of the 59th International Art Exhibition, La Biennale di Venezia, in 2022, this retrospective monograph is the official catalog of the National Pavilion of the United Arab Emirates, which has chosen the Emirati artist Mohamed Ahmed Ibrahim to represent them.

Venice preview, Dan Graham, Basel Abbas and Ruanne Abou-Rahme, Nikita Kada, Titian's Poesie...

Autobiography by Jacopo Benassi is a series of self portraits taken during the night, during the lenght of a dream, described by the artist in the first page.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

How to teach art / can we become an artist?

Four artist's posters.

The catalogue of the first edition of the Montpellier Biennale.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

Autobiography by Patrick Tuttofuoco is a visual consideration through the artist's eye about his autobiographical exhibition "like they were eternal" held in Milan at Schiavo Zoppelli Gallery. The collages and the images in the book were created by the artist starting from his installations in the space. The text by Umberto Sebastiano is a metephoric interpretation of the show.

A series of drawings made on a digital tablet offering a detailed entry into the expanded universe of Hugo Pernet's painting.

First monograph.

First monograph.

A reflection on the aesthetics of the fragment as a paradigm of memory, from the works of six women artists.

A conversation between acclaimed Syrian artist Fateh Moudaress (1922-1999) and Arab poet Adonis, finally translated from Arabic to English, with 30 never seen before paintings and drawings by Fateh Moudaress.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

First retrospective monograph.

Flipbook.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

Modern Animal, a sort of anti-autofiction, knots together humans and animals, retelling interviews, folktales, memories, and visions of the people—bourgeois, urban, rural, Roma, working class—encountered on a multiyear journey through Ukraine.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Monograph dedicated to the film series incorporating central Neanderthal figures produced by British artist Nathaniel Mellors since 2012.

The first comprehensive monograph on the contemporary artist Cheikh Ndiaye, including reproductions of all of his paintings and installations.

New monograph.

A series of compositions using environmental sounds and field recordings from the five continents.

The report of a collective and immersive residency at the Lyon Museum of Contemporary Art.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

Autobiography by Koo Jeong A is a collection of images chosen by the artist via Periscope. Each of them represents a work created by Koo Jeong A during her career.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

A limited edition artist's book, Mnēmē presents the work of the Tunisian artist Nidhal Chamekh through thirty-four independent drawings collected in a luxurious boxed portfolio.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

First monograph on artist and photographer Aurélie Pétrel.

First monograph on artist and photographer Aurélie Pétrel.