Cinema

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

First comprehensive monograph.

An unusual vantage on the history of cinematic production in the twentieth century.

First comprehensive monograph.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

An unpublished tale by Raoul Ruiz.

An unpublished tale by Raoul Ruiz.

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

A tribute.

Seventeen interviews conducted with Med Hondo over a period of almost half a century, most of the interviews originally published in French were translated into English.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

American production designer Hannah Beachler engages in a conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and elucidates her role.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

A collection of commissionned translations of a selection of key texts about Intermedia and Expanded Cinema in Japan.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

In the spring of 1949, while they were shooting “Stromboli” on the island of the same name, Ingrid Bergman and Roberto Rossellini began a love affair which was to cause a scandal. The great photographer Federico Patellani documented the development of the film as well as life on the island.

This publication explores the pioneering role of 19th century photographer Eadweard Muybridge in the development of moving-image projection. The study also maps the exceptional influence of his experiments on contemporary world's visual form.

An archeology of Swiss experimental film.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

Hans Hartung and the cinema.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

First monograph.

First monograph.

Unpublished Dennis Hopper: new light on the 1960s and the actor's unique transit through American history.

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

First monograph.

The script of Harmony Korine's new movie The Beach Bum.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

In this compilation of essays, Dork Zabunyan analyses the creation, use and circulation of images in the contexts of the “Arab Spring” and the Syrian War.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film. This artist's edition includes a hand numbered bonus LP, an art print and a dowload code for an exclusive 99' bonus track.

Jean-Paul Fargier's film about the historical encounter between the filmmaker and the writer in 1984.