David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

This first monograph of Lee Bae presents a large selection of his works, paintings, sculptures and drawings, as well as twenty exhibition views and photos of the artist in his studio.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

The first monograph dedicated to the pivotal work of African American postmodern dancer, choreographer and video artist Blondell Cummings.

The first issue of the annual journal dedicated to science-art dialogue.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

New monograph.

Dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order, For McCoy finds Eiko Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

Catalogue.

The architectural proposals of Gordon Matta-Clark.

The non-human images, challenging our own relationship to the world.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

A collection of texts (visual or conceptual poems, ideas to be realized or mostly not, inventories, compilations, interludes, etc., constituting sorts of scores) composed between 2017 and 2021.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Special issue of the journal of philosophy and humanities, devoted to the multiple dimensions of emancipation.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Edited from the composer's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante (1973).

Diary of a journey of introspection.

Modernism/Murderism brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of India's Gujarati-language literary periodical Kumar between 1959 and 1964.

A surrealist anticipation novel by the Indian artist.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Twelve articles by Michael Bierut, translated into French and annotated, complemented by a selection of his most emblematic projects.

This essay examines and explains the history of the most famous classic typeface and its many modern and contemporary incarnations.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A speculative arc, spanned with hints from different epochs of occidental music, with poetic and personally coloured texts that deal with the world (of art).

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

Apichatpong Weerasethakul; editorial piracy in Morocco; tragedy according to Angélica Liddell; believing in art school: is it really necessary to separate the soul from the artist?; Andrea Laszlo de Simone...

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...