Mousse 51 is a photo issue dedicated to exhibitions from 1985 to 1995, the last ten years or so before exhibitions went online, and possibly, before the exhibition view became a requisite genre.

Artist's book in two volume.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

An original reading of Pier Paolo Pasolini's work and “impulses”, between aesthetic and psychoanalytic reflection.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

New monograph.

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Collection of poems following the tale of a Queen who meets with her evil Doppelgänger in the form of an Angel.

Proposals for an ecology of diagnosis.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Chef Pierre Hermé's culinary performance at Harvard University.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

A selection of xerox copies coming from original drawings reproduced by hand fifty times by twenty artists as part of an editorial game organized by Fabio Marco Micheli and Gigotti Pirovino in 2014 (limited edition).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

New monograph.

No World is an original piece in an audio book composed from daily images, sounds and texts collected through the Internet, songs, poems, interviews and field recordings created by Winter Family between 2011 and 2014 while living between Paris and in the Caribbean neighbourhoods of Brooklyn, NYC.

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

Comprehensive monograph of the Californian artist and political activist.

A concrete / post-digital oratorio in 5 parts.

Disembodied girls and sadistic imagery: the nightmarish and disturbing universe of The Pit. Perfect, graphically speaking.

A shamanic journey in Tazartès's universe.

First monograph.

Comprehensive monograph.

Comprehensive monograph (second edition).

The “micro-interventions” in the public space in the age of social movements and citizen action.

Twelve international artists forge a reflection on the meaning, the potential and the new experimental approaches in sculpture today.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

A photographic journey from Yugoslavia to Iran during the 1970's.

Jérôme Zonder's drawings in large format.

A pluralistic approach to nature (after Alfred North Whitehead).

A retrospective retracing in pictures fifty years of creation.

A literary text by Guillaume Belhomme combining metafiction and cut-up, with a CD on which Daunik Lazro performs Vieux Carré, a composition by Joe McPhee evoking the old French Quarter of New Orleans.