Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

Issue dedicated to John Baldessari.

A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

2nd issue of the experimental music annual review, around the question of experimentation in music.

First monograph on Stéphanie Cherpin's work, with two essays, an interview, and a complete catalogue of her sculptures.

2nd issue of the experimental music annual review, around the question of experimentation in music.

An extension on paper of the activities of Darse, the art space in Geneva.

First monograph.

The French artist Marie Angeletti presents photographs from a project hosted by two sites belonging to a color manufacturing company in the cities of Gémenos (France) and Shanghai.

In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in.

Revisiting conceptual art: the Russian case in an international context.

Various critical approaches under the shape of questioning and the appropriation by artists of the model of the company.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

A pioneering and masterly study of the history of art markets in Italy (covering the fields of painting and scultpure, but also architecture, applied arts and performing arts), which demonstrates the possibility of an economic history of art linking social or political mechanisms and symbolic or patrimonial issues.

When the flexibility, certainty, and freedom promised by being part of a critical outside are considered as extensions of recent advances in economic exploitation, does the field of art then become the uncritical, complicit inside of something far more compelling?

A text film documenting three days of public conversations between artists, critics, curators, and a free floating public.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

First posthumous recording of Henri Pousseur.

A collection of influential essays by Boris Groys.

French translation of Manovich's major book The Language of New Media, the first systematic and rigorous theory of new media.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

Net Pioneers 1.0 discusses media art history with a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society.

E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.

How do individuals shape their daily lives in the technological context of flows?

A reflection on the tensions and social uses of contemporary forms of representation on the basis of an exercise in critical analysis focussing on the multifaceted artistic practices of two international artists (catalogue of the exhibition at the Jeu de Paume, Paris, April - June, 2009, with texts by the artists and four philosophers).

The first retrospective monograph on Marcopoulos' work.

For many years now, Helke Bayrle has documented the activities of the Portikus. The result is a unique collection of artist portraits. Portikus Under Construction presents the last decade, edited backstage material that the viewer of the finished exhibitions never sees.

A face-to-face between two of the most significant figures in contemporary photography.

A series of portraits of the musician, guitarist, rapper, producer, and actor Adam Keefe Horovitz, member of the Beastie Boys under the name Ad Rock.

A one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work.

A film and different documentaries on Francis Alÿs (interviews, video and multimedia projects).

The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki.

An unpublished text by Raymond Roussel, accompanied with an essay by Jacques Sivan.

The original music composed by Ghédalia Tazartès for the theater play "Jeanne la pudeur" after Nicola Genka.

Photography special issue.

Catalogue of the Lyon Biennal 2007 (also available in English edition). The publication is thought of as a history, geography, and contemporary art book, resulting of a series of delegations, invitations, and programs of those who conceived the event.

A b/w portrait of the Norwegian snowboarder Terje Haakonsen.

Céleste Boursier-Mougenot, John M. Armleder, Guy de Cointet, Philippe Mayaux, Jeppe Hein, Claude Lévêque, Bernhard Rüdiger, Bruno Serralongue, Philippe Cognée, Robert Morris, Pétur Már Gunnarsson, Toshinari Sato, Jean-Daniel Berclaz, Daniel Ruggiero, Gregg Smith...

Various documentary approaches of Tadashi Kawamata's work, unpublished films of the artist and archives.

When the personal becomes political.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

A collection of essays on ten contemporary artists (Peinado, Achour, Sala, Cattelan, Huyghe, Scanlan, Trouvé, Bublex).

The Rectange label "recycled" by eRikm.