The definitive publication on Carl Cheng's genre-defying work.

An artistic exploration of the political and emotional stakes of translation in the context of asylum law, through the lens of rarely heard testimonies: those of interpreters.

An immersion in the flow of language, words, and images within David Douard's work.

Fatima-Zahra Lakrissa revisits a sequence of Morocco's cultural history: the encounter of two anthropologists and the intersecting history of their approaches to popular and traditional art objects.

Retrospective monograph.

Thrid fifth of the series Taccuini d'Architettura, dedicated to Lorenzo Guzzini's architectural office.

Jos de Gruyter & Harald Thys' 2026 artist's calendar.

Portuguese artist Joana Vasconcelos engages in a dialogue with the city of Rome, the world of haute couture, and the work and legacy of Valentino (1932-2026).

The 12th issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, featuring a dossier on the theme of desire in architecture.

The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

The first print edition of Daftar, the online media edited by Afikra, a platform focused on the history, debates, and cultures of the Arab world.

Banks Violette by Rachel Wetzler, Gulf Institutions by Pablo Larios, Alison Knowles (1933-2025) by Nicole L. Woods, Kochi-Muziris Biennale by Meera Menezes...

Petrit Halilaj and Danh Vo in conversation; Forensic Architecture (Eyal Weizman, Nour Abuzaid, and Elizabeth Breiner); Gabrielle Goliath; Edward W. Said; Shumon Basar; Dani Blanga Gubbay; Yvonne Rainer; Thomas Eggerer and Jochen Klein; Tobias Pils; Travis Jeppesen...

The guide and extension of the third edition of the Diriyah Contemporary Art Biennale (2026), featuring 67 international artists.

An artist's document that sheds light on the relationship between drawing and sculpture in the work of Clément Bagot.

First monograph.

British artist James Bloom uses AI to render the human body's movements dysfunctional as he generates them, and records the sequence in the form of a flip book.

André Butzer's most personal book to date.

Artist's book.

This monograph retraces Paolo Colombo's career through its recurring concerns: literature and poetry, which he practices himself; Greek culture, from classical to modern; rebetika music; and a sustained dialogue with artists such as Fausto Melotti and Alighiero Boetti.

Special edition of the book Disegno Astratto, created by Henri Frachon and Antoine Lecharny, that includes the multiple "Boat, house, briefs, plane and sea lion".

A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

Painting as a space for political resistance, irony, and philosophical reflection (an overview of the pictorial work of Basque artist Juan Pérez Agirregoikoa).

Outrageous Intimacy delves into the artistic practice of Lea Porsager, documenting her work with a particular focus on her earthworks, texts, and use of readymades.

First monograph.

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

A seminal exploration into screens' crucial functions and profound impact on human culture.

A critical examination of the aesthetic, social, and political dynamics of fascism, questioning its appeal and ideological mechanisms.

A delightful dive, both documentary and imaginary, into a dreamlike and cult horror cinema in the southern United States.

Complete documentation on the exhibition conceived by Michael E. Smith for the underground spaces of Palazzo Bentivoglio in Bologna.

A deep dive into the experimental film work of Gregory J. Markopoulos, a key figure in New American Cinema.

A history of art in France from the women's perspective.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

A wide-ranging series of portraits of women from Lebanon, visually telling their story and their relationship with the country, 50 years after the beginning of the civil war.

The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Tillmans' work, in print.

A non-relationalist anthropological approach to singularity.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

An overview of the French artist's film remakes over a decade.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

An artistic stroll with Vanessa Morisset.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

When considered in parallel, Sigmund Freud's study of Michelangelo's Moses and his private collection of antique statuettes reveal elements of visual psychoanalysis that contradict the supposedly iconoclastic nature of this science.

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

The first English-language catalogue dedicated to the Guangzhou-based artist.

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.