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Catalogue focusing on both ambiguous and explicit Morellet's relationship to Malevich's oeuvre, with three essays and an interview with François Morellet, a large ensemble of iconic works of the two artists, a selective chronology of Morellet and a biography of Malevitch.
Published on the occasion of the eponymous exhibition at Kamel Mennour Gallery, Paris, from march to April 2011.
François Morellet (1926–2016), a self-taught artist, was one of the leading figures of postwar geometric abstraction and a pioneer of minimal art. His paintings, sculptures, and installations are grounded in rules, systems, and constraints, stripped of overt expressiveness while still allowing room for chance, and infused with a distinctive sense of humor.