Art & protocol / system / ritual

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

New monograph.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

Michael Scott's ink drawings .

An analysis of the relationship between art and literature over the last six decades.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

Produced as a follow-up to three previous publications edited by Mamco between 2010 and 2017, this monograph is a compilation of found images associated with Yvan Salomone's own photographs. It also features an interview with the artist and new essays examining his practice.

The scripts of Romy Rüegger's performances: a constellation of texts, largely written to be spoken. The scripts as they are printed do not document the performances primarily. They are indications of spacial and temporal layering, juxtapositions of aesthetic and poetic elements and bodies. Overlapping every day observations with archival material, confronting, jumping.

Through photographic documentation and essay, Altar documents the widespread human urge to elevate secular things to the status of “ritual objects” and combine them to form private altars. Whether they're dust catchers, knickknacks, souvenirs, found objects, meaningful artworks or earnestly and deeply revered objects, they all tell a peculiar story—not in words, but in things—about whoever built the altar.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music, with an original and unique artwork.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

Facsimile reprinting of Paul Rand's graphics standards manuals for the redesign of the visual identity of the multinational technology company IBM from 1962 to 1987.