Abstract painting

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

This catalogue stems from two eponymous exhibitions examining Hungary's art scene's drive toward abstraction to reflect on the complex social conditions of the country, from the 1960s to the present-day.

Julio Le Parc and the practices generated by digital creation.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

Hans Hartung and the cinema.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

First monograph on Swiss painter Sylvain Croci-Torti.

An immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

Catalogue raisonné of paintings realized by Peter Halley between 1980 and 1989.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

Revised and expanded edition of the“Color notebooks” published by the National School of Decorative Arts, a synthesis of a series of in-depth studies initiated by Jacques Fillacier on the characteristics of color perception. A reference pictorial manual, for pedagogical as well as professional purposes, for all practitioners of color—painters, architects, designers, stylists, etc.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

An exploration of the absence and presence of the (red) color.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

First monograph: focusing on French painter's Julien des Monstiers most recent work, this publication features a rich iconography with reproductions and exhibition views. An introductory text by Frédéric Valabrègue invites us into the artist's studio, and the interview by Alain Berland gives a formidable insight into des Monstiers' practice.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.

This publication brings together two early works by Heimo Zobernig, Farben and Alphabet.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.