Abstract painting

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Eight artists, among the many who have been profoundly marked by the work as rare as it is decisive of James Bishop (1927-2021), share their perspectives on the American painter.

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

An extensive overview of Olivier Mosset's six-decade painting practice.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Four artist's posters.

An extensive overview of Olivier Mosset's six-decade painting practice.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.

Steve DiBenedetto's drawings.