Abstract painting

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

Retrospective monograph.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

Steve DiBenedetto's drawings.

First monograph.

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

New monograph.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

Reference monograph.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

Artist's book.

A retrospective look at the work of our contemporary art godfather.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

This catalogue stems from two eponymous exhibitions examining Hungary's art scene's drive toward abstraction to reflect on the complex social conditions of the country, from the 1960s to the present-day.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.