Abstract painting

Catalogue.

First comprehensive German edition of legendary texts by Robert Morris.

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissioned essays.

A facsimile of the sketchbook made by the two artists for their first duo exhibition.

First monograph: a journey into Philippe Caurant's oeuvre, an abstract painting of light and matter, inspired by photographic processes.

Reference monograph: an overview of the Swiss artist's practice since the mid-1980s.

"They are painters" (Armleder, Barry, Buren, Dafflon, Gréaud, Guyton, Lavier, Parrino, Toroni...): an alternative to the overwhelming success of the figurative, neo-expressionist, and narrative waves that have run through painting in recent years.

Artist's book.

A book envisaged as a critical work based on exhibitions bringing together eight French and British artists: a new approach to contemporary painting, beyond the traditional opposition between figuration and abstraction.

A conversation between the artist and the architect.

The first Kees Visser retrospective monograph: an historic and sensitive survey of a minimal, radical and conceptual work, with around 60 major pieces, numerous exhibition views, documents, and two texts.

Liam Gillick's project for the German Pavilion at the Venice Biennale 2009.

Baudevin's interviews about contemporary music.

The text of the artist's catalogue raisonné.

The text of the artist's catalogue raisonné, accompanied with an original signed artwork.

A large catalogue introducing the dreamlike paintings of Corinne Wasmuht: fantastical landscapes layered upon each other, allowing the viewer to enter numerous dimensions at once.

Reference retrospective monograph conceived by French artist Cécile Bart, with five essays and more than 200 reproductions, from her earliest screens/paintings, playing on the clearance of light in the diaphanous body of a fine film of Tergal cloth, to her most recent works involving threads of coloured cotton and wool.

Monograph dedicated to Swiss artist's words-images, presenting his most recent paintings, wall paintings, and installations, with 20 texts by art critics and artists friends of Robert-Tissot.

A conversation.

This monograph documents the artist's exhibitions since 2005, reflecting on the evolution and diversity of her work. The heterogeneous essays tracing her career are illustrated with exhibition views.

Writings and interviews by (and around) one of the main actors of the return to painting.

First monograph dedicated to Swiss artist's complex geometrical compositions reinvesting the inheritance of Op Art in a contemporary practice and discourse.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

First monograph (also in English edition).

An archive of 269 paintings and drawings realized from 1993 to 2007 on cut out, fragmented, transparent or hollowed out paper, reproduced on a 1/1 scale.

260 drawings from the famous "Copy Books" group of works.

Monograph on French artist, with texts, interview and biography.

First large-scale monograph dedicated to the work of the French artist, this publication gathers abstract paintings since 2000 to 2007.

Exhibition catalogue: the noendneon installation, a questioning of contemporary sculpture practice.

Can your monkey do the dog is the title for this book conceived jointly by Josh Smith and Christopher Wool. Thanks to digital imaging, they created together a series of pieces; one of them proposed an image from his corpus, which the other one reworked, by adding or removing elements. A new "layer" was each time superimposed on the previous one, without any constraint or mutual censorship regulating the alternating interventions.

A collection of the painter's writings (poetry, interviews, chronicles, previously unpublished texts and documents) who, between the 1930's and the 1970's in St-Germain-des-Prés, never ceased to explore language and to work with words as if with an unprocessed and unlimitted material.

This publication reunites a selection of critical writings for the most part printed in magazines or exhibition catalogues: a reinterpretation of Conceptual and Minimal art, as much as a testimony of the 90's art scene.

Monograph / catalogue / artist's book in a boxset with an inserted fold-out, devoted to one of the major representatives of the German painting revival.

Monograph dedicated to the abstract artist's graphical paintings and objects, accompanied with a long essay by Jeff Ryan.

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

First monograph dedicated to the Swiss artist (*1957) for more than ten years.

Roman Opalka explains a pictorial work about the existence of the artist himself (the limited edition of the book contains a signed and unique photograph of a section of the artist's bust).

10 new perspectives on the artist, his oeuvre and its reception.

Exhibition catalogue (with Dike Blair, Greg Bogin, Renate Buser, Nicolas Chardon, Marcelline Delbecq, Barbara Gallucci, Imi Knoebel, Vincent Lamouroux, Renée Levi, Olivier Mosset, Emmanuel Pinard, Peter Soriano, Tatiana Trouvé).

Both a monograph on Umberg's work and an exhibition catalogue, this book offers a first-hand insight into the practice and position of one of Germany's most committed tenants of abstraction.

Roman Opalka explains a pictorial work about the existence of the artist himself.

Baudevin's interviews about contemporary music (also in English edition).

A retrospective of Armleder's work in 600 drawings.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Hans Hartung always gave a lot of attention to the filing of his works. This essay on the abstract painter is linked with a specific web site where one will find a rich iconography and documentation.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Extensive monograph with serigraphs.

For this luxurious artist's book (transparent cover and pages, leaflets, inserted pages).