Abstract painting

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

The first major monograph on Piffaretti: a journey through contemporary painting.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

100 photographs of tools on magazines to celebrate the century of the Danish constitution which gave the right to vote to women and nown-owning citizens—including farmers, servants, apprentices and journeymen in the trade and craft (artist's book).

This publication explores the painting practice of New York-based, Italian-born artist Matteo Callegari.

A series of paintings by Swiss artist Emil Michael Klein.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

First monograph.

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

The story of an iconic work by Claude Rutault.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Alex Hubbard's first comprehensive monograph, Eat Your Friends is also an artist's book.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

Drawings as diary.

A retrospective retracing in pictures fifty years of creation.

Albert Oehlen's collages (artist's book): a spatial and temporal journey into the tradition of artistic representations of domestic interiors, from the great names of art history to the artist's own works.

New monograph, with essays by Michel Pastoureau and Jean-Marc Huitorel, reproduction of the “anti-dictionary” that accompanies Pierre Mabille's painted work, a selection of recent paintings, and stained glass windows conceived for a church in Chalonnes-sur-Loire, and a documented biography.

The catalogue raisonné of Claude Rutault's books and prints.

Catalogue gathering the early paintings of Charline von Heyl.

The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.

Reference monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Reference monograph / catalogue raisonné.

The origins of the writing of the history known as the history of modern art (catalogue).

Reference monograph.

Reference monograph, with an original engraving, numbered and signed.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

A retrospective.

First monograph.

Reference monograph (second edition).

Comprehensive monograph based on the special commission made by Barcelona-based Portuguese artist Carlos Bunga for the Sonae/Serralves Project in 2012.

The first monographic close reading of Ashley Bickerton's influential early work (texts by Abigail Solomon-Godeau, Bob Nickas, Thomas Lawson, John C. Welchman...).

New monograph.

Monograph exploring the artistic and intellectual heritage of abstract painter and pioneer of the visual arts in Iran Behdjat Sadr. This richly illustrated publication offers a singular testimony, combining personal writings and press cuttings, critical texts and poetic correspondence.

Reprint of Dieter Roth's artist's book published in 1968 in Stuttgart by Hansjörg Mayer.