Music

A series of surgical experiments on creatures with genetic disorders resulting from a hypothetical interbreeding between aliens and humans: a crude transhumanist nightmare by Wataru Kasahara.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

First release of Gerhard Rühm's Radio-Play “Masoch”. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

Artist's book.

Critical texts by Kim Gordon brought together for the first time.

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

An anthology on new musical forms in the 20th century.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

A collaborative and multidisciplinary narrative including music, sound sculpture, photography, and literature.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

RadioDordogne#1 is a vast montage of sound recordings made by the sound cartographers in 2014 for the web radio RadioDordogne. Sound heritage, readings, landscapes, archives, musical creations are intertwined to propose six radio pieces for listening.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

Christine Baudillon, Robin Fox, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 4)...

Issue 01 of the zine edited by Jacopo Benassi et Federico Pepe (Le Dictateur): a series of photos taken by Benassi during an evening of performances and concerts at Btomic in La Spezia (Emidio Clementi & Corrado Nuccini, Little Debbie, Khan, Nicole Boitos, Lori Goldston, Z'ev, El Vez, C.J. Ramone...).

Interviews Special Issue.

Listening: Discourses, Practices, Mediations.

An overview of the relation between choreography and exhibition, through the contributions of over thirty international visual artists, choreographers, musicians, filmmakers, theorists, and curators (Kenneth Anger, Jérôme Bel, Boris Charmatz, Kenneth Goldsmith, Pierre Huyghe, Jennifer Lacey, Alan Licht, Malcolm McLaren, Gustav Metzger, Phill Niblock, Hans Ulrich Obrist, Michael Parsons, Claude Rutault, Catherine Wood...).

Swiss clubbing.

Featuring: a tribute to Frank Zappa (unpublished interview and illustrations by Cal Schenkel), Christian Marclay by Anaïs Prosaïc, The Wild Classical Music Ensemble, Anaïs Nony, Guerilla Gardening, Zdenek Kosek, self-hypnosis, Elizabeth Stephens & Annie Sprinkle's ecosexual activism, primatologist Frans de Waal...

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

All musics done for Jean Dubuffet's Coucou Bazar show.

Guillaume Belhomme's first fictional narrative.

Jonas Kocher, Guy Girard, Tetsuo Furudate, Festival Densités, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 3)...

Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

The long overdue first proper collection of sound-poetry / musique concrete pieces by German installation & conceptual artist Michael Barthel.

A collection of 29 pieces recorded 1980-84 by Dominik Steiger. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

Artist's book: the last part of a complex project initiated in 2010—an exploration of the intimate legacies of Sun Ra's peculiar body of work (texts by Diedrich Diederichsen, Anthony Elms, J. Griffith Rollefson...).

The experimental scene in Cairo, radio studios in Warsaw, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 2), Sandra Remski's writings during live shows, the retro-krautrock-mania...

Sound avant-garde in architecture: a journey through architecture, art and music in the twentieth century.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

An initiatory sound journey in the urban jungle of Rio de Janeiro.

Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.

A series of interviews with 27 international artists/musicians, centered on the relation of sound to space.

Utopias, dystopias, and anarchy in the Sixties counterculture and popular music. Plus a special feature on heavy-metal studies.

Special one-sided recording with a visible spiral loop on Side B by turntable-music performer Dieb 13.

Esther Ferrer, PaaLabRes, Eric Cordier, Le 102 in Grenoble, Lionel Marchetti, a history of musical destructions by Matthieu Saladin...

The project initiated by artist and filmmaker Beatrice Gibson and typographer Will Holder, based on the eponymous score written by Cornelius Cardew in 1967.

2nd issue of the experimental music annual review, around the question of experimentation in music.

A chamber music project on LP by the Italian composer, sound artist and performer, inspired by an African divination ritual.