Music

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

A visual music history of the last decades, presenting the work of a unique photographer to a broad public for the first time (texts by Christian Marclay, Thurston Moore, Rhys Chatham, Mark Cunningham, Lee Ranaldo, Alan Licht...).

First-ever release for Darmstadt-based composer Hans Essel who has been active in improvised music and “Grundlagenmusik” (foundational music) for more than 20 years.

Singing insects of the Causses, vultures feeding, passerine songs, underground streams, barking stags, rumbling storms, amphibian choruses, sheep bells... a reference in the audio-naturalist field.

Waterkil is a singular sound creation starring Axel Dörner on trumpet & Jassem Hindi on electronics. The recordings for this album were made during a three week residency at EMS in Stockholm and during a live show at Able gallery in Berlin.

The album Living Theory Without Anecdotes conflates Nicolas Wiese's acousmatic compositions from the years 2009-2011. All four tracks are constructed out of samples from acoustic instrument and object recordings, and are characterized by floating structures allowing slow crescendos and little disruptions.

The series of "Papiers Ouverts" by Jean Degottex (1918-1978) created in 1974 and poems by Maurice Benhamou fed the improvisations of the two musicians. Ghosts, ruins, stars, rubble ... punctuate this work recorded in Belgium, Monos gallery.

An improvised and radical meeting between Natacha Muslera's voice and Jean-Sébastien Mariage's electric guitar.

The lyrical and earthy flight of Isabelle Duthoit, the furious growls of Johannes Bauer's dandy trombone, the electrifying stripes of Luc Ex, the legendary founder of Dutch group The Ex, produce a passionate musical mix.

Tris Vonna-Michell's latest artist's record/book is constructed around two works, Capitol Complex (2012-2014) and Ulterior Vistas (2012-2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

Apo33 – Julien Ottavi, Zak Cammoun, Yan Jun, Jean-Luc Guionnet, Joris Guibert, François Bayle, Kasper Toeplitz...

The collaboration between artist and poet Charles Pennequin, the band Gun-Gi and Laurie Franck.

Audioplay by Adrian Williams (music by Theodor Köhler), performed and recorded live at Portikus, in Frankfurt am Main, between September 24 and November 6, 2011.

Brandon LaBelle's revolutionary diary during the Arab Spring.

First album.

An investigation into the uses of “sound document” in music, since the beginning of phonography.

2CD-Box collecting 11 pieces from Jean Dubuffet's “'Expériences musicales” (recorded in 1961) for the first time on CD.

CD presenting 37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010.

5th issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...).

Counterculture in popular music: theory & scenes.

Thomas Tilly, 11 paragraphes sur un concert improvisé (Ray Brassier, Jean-Luc Guionnet, Seijiro Murayama, Mattin), Expérience cinéma – Phénoménologie de l'apparition, Wandelweiser...

Abstract paintings and erotic-mystical photo-collages by French artist/musician (first monograph).

Sonic Protest 2012; interviews with Daniel Menche and Yann Leguay; Propositions pour une architecture habitée de l'écoute by Jean-Luc Guionnet; Manifeste pour un visuel qui ouvre l'œil by Joris Guibert; Séisme, tsunami et autres désastres by Eric Cordier; Projet Fukushima by Otomo Yoshihide; Ring Modulation 5 by Kasper Toeplitz...

A collaboration of the sound poet Anne-James Chaton, guitarist Andy Moor (The Ex) and musician Alva Noto (Carsten Nicolai): a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend.

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

Jean-Luc Guionnet, Skullflower, Manifeste pour un visuel qui ouvre l'œil, Penser le sonore / écrire la musique (La disparition annoncée de la pensée solfégique), John Fahey, Ring-Modulation#4, Du côté de la Russie...

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

A series of narrative portraits and accompanying images of his recent sculptures by Egyptian artist, musician and writer.

Mark Leckey, Ruth Ewan, Tom Marioni and the sonic explorations in San Francisco Bay, Robert Morris, Pierre Henry, Louie Louie, Dora García, Hannah Rickards...

First issue of the experimental music annual review.

First issue of the experimental music annual review.

Three substantial pieces by Luc Ferrari, with solo works of Brunhild Ferrari.

Two works by the Italian avant-garde composer of classical music Luigi Nono and the composer, sound artist and musicologist Hans van Eck.

A totally original and disturbing sound world mixing acoustic and electro-acoustic pieces.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

The naive & enchanting paper-cut art of Jad Fair.

What role do the representations of the Other, the body, women and race play in highly publicized cultural productions?

These studies confront real spaces captured in the field and others reconstructed in the studio.

By reorchestrating its previous pieces, the drum/violin duo Filiamotsa, here expanded by the saxophone, keyboards and trombone, has reinvented itself and enlarged its palette of sounds.

A transcript of the earliest of John Cage's extended writings.