A cheerful hand-drawn cookbook celebrating food as Pop Culture.

Interviews.

Pierre Denan's visual diary (artist's book).

Artist's book.

The Coloring Book by Dr. Lakra is the first BOM DIA Kinder book, a new series of children books made by artists.

Entitled “Studies for Player Piano,” the first issue of the contemporary art journal premised on aesthetics of encounter, specifically between the writing, art, and ideas expressed in Latin American culture in relation to discourses, philosophies, and art generated elsewhere, is dedicated to the life and work of experimental composer Conlon Nancarrow (1912-1997). With Mario Garcia Torres, Mariana Castillo Deball, Carlos Sandoval, Céline Condorelli...

Reference monograph, featuring Francesco Arena's works collection and his most important shows from 2004 to 2014, with texts by Marcella Beccaria, Lorenzo Benedetti, Florence Derieux and Ara H. Merjian.

First monograph on Cuban artist Wilfredo Prieto.

The first publication devoted to the artist's films.

First monograph.

Reference monograph: the first complete panorama of Kilimnik's production, allowing a vision that goes beyond the distinctions between painting, drawing, or installation (new and expanded edition).

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

A collective work conducted by students and teachers from the Design & Space Master at ESAAA art school that aims to highlight the atypical forms that young designers produce and address to our contemporary societies.

Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. This volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933. It includes a foreword by Philippe Despoix, and a curriculum vitae illustrated with photographs from the Kracauer estate.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This second issue is dedicated to Native American warchief Rain in the Face.

Jean Epstein's complete writings.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

Artist's book.

A comprehensive examination of Robert Smithson's work and creative process.

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

A fictional portrait of Marilyn Monroe.

A raw, powerful and disjunctive pamphlet against our civilization, followed by the author's self-portrait.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

Artist's book.

A complete record.

The manifesto of the network of contemporary art centers.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

First monograph.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

Limited edition accompanied by an original and unique signed artwork, hand colored comic strip box.

Willem's satirical drawings on art.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

Rethinking public space.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

First monograph, with an essay by Jacqueline Burckhardt.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

A collection of recent colored pencil drawings by artist Keegan McHargue.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.