A literary and sound dive into a fantastic and whimsical bestiary (with Benjamin Bondonneau, Jean-Pierre Drouet, Géraldine Keller and Michel Mathieu).

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

A studio album of songs by Frédéric Le Junter (voice, texts and home-made instruments) and Dominique Répécaud (electric guitar), where the music is truly at the service of texts with a pataphysical and surrealist edge but still in the realm of popular music.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

Last Words is a dual-input device: a book associated with a sound piece built from the last statements of all inmates executed in Texas since the resumption of executions on December 7, 1982.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

This cookbook is the outcome of a collective project for which random people opened the door of their kitchen to share their favorite recipe and tell their life experience. A celebration of life and cooking in 52 recipes and 31 portraits illustrated with colir photographs.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

Catalogue / artist's book.

Artist's book.

First monograph.

A both ambivalent and poetic narrative written by Canadian author and artist Simon Brown.

The photography book Kracauer. Photographic Archive is a collection of previously unpublished photographic material from the estate of the sociologist, philosopher, journalist and film and photograph theorist Siegfried Kracauer.

A survey of the Scottish painter's most recent body of work.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

A collaborative artist's book with Véronique Verstraete and eight associated authors.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).