The relation between being and acting and the principle of anarchy in the philosophy of Martin Heidegger.

The catalogue of the first edition of the Montpellier Biennale.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

The first album by Frank Bretschneider and Jan Jelinek's joint project, produced from improvised sessions on modular systems between 2016 and 2020.

A graphic novel of intimate and fantastic horror.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intents, in this first book, to develop a writing that transcends the concept of genre—or gender.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

An unusually intimate, close-quarters account of daily life in postwar communist countries.

A previously unseen trove of Kenyan studio portraits, expressing a photographer's vision and a city's lively identity.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

First monograph.

A singular history of cultural encounters between Italy and Denmark.

Conversations and essays that question the twisted and oppressive climate in a world where true decolonization has yet to begin.

An artistic project about the processes of dehumanization that are are taking place in Europe and possible ways for a re-humanization.

Wicked Little Town gathers more than fifty artists and critical thinkers traversing trans-temporal imaginations of resistance, unruliness, and non-compliance across genders, abilities and national borders.

A collection of essays investigating predicaments of rootedness and rootlessness and notions of belonging and of displacement across different geographical and epistemological coordinates.

An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.

The restitution of a research and production program (Chair "Young Creation and the Sacred") conducted at the Ecole des Arts Déco by students, teachers and a number of invited artists and thinkers on the question of the sacred in contemporary creation.

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form.

The definitive edition of Fennesz's breakthrough album, newly mixed by himself.

Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

First retrospective monograph.

Ronan Bouroullec's ceramic bas-reliefs.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

This monograph surveys the first decade of the legendary Korean artist's career from 1987 to 1998.

Art and the economics of the digital age.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

Philipp Mueller's photographs of the emerging techno scene in Switzerland in the early 1990s.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

Dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order, For McCoy finds Eiko Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Diary of a journey of introspection.