Navigation and montage in Harun Farocki's work.

New monograph, focused on the last years of work of the duo around the animal, landscape and ecological issues that cross it.

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.

The current crisis of museums and the future of Institutional Critique.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

One of Ghédalia Tazartès' final recordings, with Rhys Chatham, in 2018-2019.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

Electric Brine is a volume of poetry and critical essays by women voices from diverse fields such as literature, geography, media studies, history of life sciences, sociology, and poetics of science and fiction, each of them central to the independent curatorial research entity The World in Which We Occur (TWWWO, 2014-ongoing) and its associated online study group Matter in Flux.

Isabelle Magnon asked Ghédalia Tazartès to take pictures of his "Cabinet de curiosité". This book shows 40 pictures of Tazartès' objects and small installations. There is a free CD included of the only recorded performance of the trio formed by Ghédalia Tazartès, Jérôme Lorichon and Quentin Rollet.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

An overview of study programs teaching socially engaged art.

This new monograph brings together Nicolas Floc'h's artistic production of the last twelve years.

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.

A sound dialogue between eRikM and Anthony Pateras.

A series of off-the-cuff photographs demonstrating the poetic experience of air travel (artist's book).

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

A shamanic journey in Tazartès's universe.

Special feature on Ecology, Nicolás Uriburu, interview with Edith Brunette, Kochi-Muziris Biennal, Ariane De Blois on the sculpted body, exhibitions and books reviews…

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Artist's book.

A series of essays and close readings of Steyerl's films from the past ten years.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

2nd issue of the experimental music annual review, around the question of experimentation in music.

First monograph on Stéphanie Cherpin's work, with two essays, an interview, and a complete catalogue of her sculptures.

2nd issue of the experimental music annual review, around the question of experimentation in music.

First monograph.

First issue of the experimental music annual review.

A text film documenting three days of public conversations between artists, critics, curators, and a free floating public.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

A reflection on the tensions and social uses of contemporary forms of representation on the basis of an exercise in critical analysis focussing on the multifaceted artistic practices of two international artists (catalogue of the exhibition at the Jeu de Paume, Paris, April - June, 2009, with texts by the artists and four philosophers).

The first retrospective monograph on Marcopoulos' work.

For many years now, Helke Bayrle has documented the activities of the Portikus. The result is a unique collection of artist portraits. Portikus Under Construction presents the last decade, edited backstage material that the viewer of the finished exhibitions never sees.

A series of portraits of the musician, guitarist, rapper, producer, and actor Adam Keefe Horovitz, member of the Beastie Boys under the name Ad Rock.

A one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work.